The Original Rhythmical Grammar of the English Language: Or, the Art of Reading and Speaking, on the Principles of the Music of SpeechJ. Robertson, 1821 - 348 էջ |
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Արդյունքներ 33–ի 1-ից 5-ը:
Էջ 5
... length , the intervals between them distinctly perceptible , with occasional notes of song , or monotone , introduced . This last style of read- ing , if it deserve the name , is , at present , rapidly gain- ing ground . Although many ...
... length , the intervals between them distinctly perceptible , with occasional notes of song , or monotone , introduced . This last style of read- ing , if it deserve the name , is , at present , rapidly gain- ing ground . Although many ...
Էջ 15
... length of twenty cadences , either on a single tone , or articulated into a hundred and sixty , through all the extent of the voice ; or whether he crammed eight or ten syllables , which might , in their natural quantities , be spondaic ...
... length of twenty cadences , either on a single tone , or articulated into a hundred and sixty , through all the extent of the voice ; or whether he crammed eight or ten syllables , which might , in their natural quantities , be spondaic ...
Էջ 30
... length : -they went farther , and confounding the ideas of figure and sound , they conceived to be an audible representation of roundness ; -notions altogether fantastical , I had almost said , puerile ; but trifles become venerable ...
... length : -they went farther , and confounding the ideas of figure and sound , they conceived to be an audible representation of roundness ; -notions altogether fantastical , I had almost said , puerile ; but trifles become venerable ...
Էջ 33
... length or quantity . - But it must be distinctly remembered , that although the accents may occasionally rise or fall very little , they must always be so distinct- ly marked as never to form a monotone . Whilst every one perceives ...
... length or quantity . - But it must be distinctly remembered , that although the accents may occasionally rise or fall very little , they must always be so distinct- ly marked as never to form a monotone . Whilst every one perceives ...
Էջ 42
... is equal to o P , or p p p a p . is equal to pr or ↑ ↑ ↑ : a p ∙ is equal to or ℗ ℗ ℗ • The length of the shortest quantity , the e , 42 RHYTHMICAL GRAMMAR . Quantity -Names of the Notes of Quantity Manner of lengthening Quantities -
... is equal to o P , or p p p a p . is equal to pr or ↑ ↑ ↑ : a p ∙ is equal to or ℗ ℗ ℗ • The length of the shortest quantity , the e , 42 RHYTHMICAL GRAMMAR . Quantity -Names of the Notes of Quantity Manner of lengthening Quantities -
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning scholar semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words