The Original Rhythmical Grammar of the English Language: Or, the Art of Reading and Speaking, on the Principles of the Music of SpeechJ. Robertson, 1821 - 348 էջ |
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Արդյունքներ 27–ի 1-ից 5-ը:
Էջ 3
... produce audible sound , or what is commonly called speaking above the breath , a very different effect is in- stantly produced : the Larynx becomes then sensibly af- fected . If , during this state of the voice , we place the finger on ...
... produce audible sound , or what is commonly called speaking above the breath , a very different effect is in- stantly produced : the Larynx becomes then sensibly af- fected . If , during this state of the voice , we place the finger on ...
Էջ 4
... produced , as well as the whisper , with little or no affection of the Larynx . The Enunciative Organs are those ... produce speech , the glory of man ; the key to every art and science . Is it not then worthy , not only of great ...
... produced , as well as the whisper , with little or no affection of the Larynx . The Enunciative Organs are those ... produce speech , the glory of man ; the key to every art and science . Is it not then worthy , not only of great ...
Էջ 6
... produce that infinitely diversified intonation of which it is susceptible . As every syllable , in reading and speaking , has its peculiar quantity , and accent or inflexion , so each of these must be studied before it can be properly ...
... produce that infinitely diversified intonation of which it is susceptible . As every syllable , in reading and speaking , has its peculiar quantity , and accent or inflexion , so each of these must be studied before it can be properly ...
Էջ 9
... produce , but are frequently unable to regulate its simplest tones . We find this defect prevalent in every kind of public speaking.- The experience of centuries , therefore , authorises this assertion , that it is impossible to remedy ...
... produce , but are frequently unable to regulate its simplest tones . We find this defect prevalent in every kind of public speaking.- The experience of centuries , therefore , authorises this assertion , that it is impossible to remedy ...
Էջ 13
... producing in the soul the same movements , which we should naturally feel were the object present , It was from this feeling of imitative virtue in mu- sic , or of its aptness to excite pathetic emotions , that Shakespeare attributes to ...
... producing in the soul the same movements , which we should naturally feel were the object present , It was from this feeling of imitative virtue in mu- sic , or of its aptness to excite pathetic emotions , that Shakespeare attributes to ...
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning scholar semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words