The Original Rhythmical Grammar of the English Language: Or, the Art of Reading and Speaking, on the Principles of the Music of SpeechJ. Robertson, 1821 - 348 էջ |
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Արդյունքներ 26–ի 1-ից 5-ը:
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... proportion , however varied in their modes , are universal in their influence . These laws prevail in all languages , and extend through every branch of Elocution . The essentials of all music are sound and mea- sure , which , when ...
... proportion , however varied in their modes , are universal in their influence . These laws prevail in all languages , and extend through every branch of Elocution . The essentials of all music are sound and mea- sure , which , when ...
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... we shall distinctly feel its vibrations : and , in proportion as we give force and energy to the voice , these vibrations become more strongly marked . That state of the voice , in vocal music , RHYTHMICAL GRAMMAR . 3.
... we shall distinctly feel its vibrations : and , in proportion as we give force and energy to the voice , these vibrations become more strongly marked . That state of the voice , in vocal music , RHYTHMICAL GRAMMAR . 3.
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... proportion of public speakers to public singers be more than a hundred to one , yet the propor- tion of good speakers to good singers is much less than one to a hundred . Where shall we find , at present , one great public orator ...
... proportion of public speakers to public singers be more than a hundred to one , yet the propor- tion of good speakers to good singers is much less than one to a hundred . Where shall we find , at present , one great public orator ...
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... proportions of those sounds , gave birth to artificial prosody . Artificial prosody , therefore , could never have been made , as some have imagined , with the view to a more intimate union of music and poetry : because if music should ...
... proportions of those sounds , gave birth to artificial prosody . Artificial prosody , therefore , could never have been made , as some have imagined , with the view to a more intimate union of music and poetry : because if music should ...
Էջ 41
... living languages . But more of this in its proper place . In English there are EIGHT different degrees or proportions of quantity . These degrees are represented thus : Longest o , long D. 2 . RHYTHMICAL GRAMMAR , 41.
... living languages . But more of this in its proper place . In English there are EIGHT different degrees or proportions of quantity . These degrees are represented thus : Longest o , long D. 2 . RHYTHMICAL GRAMMAR , 41.
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning scholar semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words