The Original Rhythmical Grammar of the English Language: Or, the Art of Reading and Speaking, on the Principles of the Music of SpeechJ. Robertson, 1821 - 348 էջ |
From inside the book
Արդյունքներ 30–ի 1-ից 5-ը:
Էջ 11
... reasons of this : - Although the five accidents of language , afterwards to be explained , are inseparable from every spoken lan- guage , yet the ancients had few marks to represent these ; and these marks , for some only of the acci ...
... reasons of this : - Although the five accidents of language , afterwards to be explained , are inseparable from every spoken lan- guage , yet the ancients had few marks to represent these ; and these marks , for some only of the acci ...
Էջ 12
... reason , we al- ways find , that from our simplest measures , music al- ways selects the most simple . Where measure flows from the laws of musical pro- nunciation , poetry and music have a common rhythm : and , if sentiment takes a ...
... reason , we al- ways find , that from our simplest measures , music al- ways selects the most simple . Where measure flows from the laws of musical pro- nunciation , poetry and music have a common rhythm : and , if sentiment takes a ...
Էջ 43
... the many , find this syllable of such various and varying lengths , as to suppose there was no such thing as quan- tity in the syllables of any language . For this reason we find no difficulty in giving to RHYTHMICAL GRAMMAR . 43.
... the many , find this syllable of such various and varying lengths , as to suppose there was no such thing as quan- tity in the syllables of any language . For this reason we find no difficulty in giving to RHYTHMICAL GRAMMAR . 43.
Էջ 44
... reason we find no difficulty in giving to a trochee , that is , in prosodial language , a long and a short syllable ; or to an iambus , that is , a short and a long syllable , the same entire quantity with a spondee , that is , two long ...
... reason we find no difficulty in giving to a trochee , that is , in prosodial language , a long and a short syllable ; or to an iambus , that is , a short and a long syllable , the same entire quantity with a spondee , that is , two long ...
Էջ 51
... reason of this is , that we have no fixed idea of the passion to which this agreement is to be preferred . But let eloquence co - operate with music , and specify the motive of each particular impression , while we feel an agreement in ...
... reason of this is , that we have no fixed idea of the passion to which this agreement is to be preferred . But let eloquence co - operate with music , and specify the motive of each particular impression , while we feel an agreement in ...
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning scholar semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words