The Original Rhythmical Grammar of the English Language: Or, the Art of Reading and Speaking, on the Principles of the Music of SpeechJ. Robertson, 1821 - 348 էջ |
From inside the book
Արդյունքներ 100–ի 1-ից 5-ը:
Էջ iv
... Sound . Swelling or Increasing in Loud- ness - Decreasing in Loudness . - Loudness uniformly continued CHAP . XI . Monotone . - No Monotone , musically speaking , exists in Spoken Language . - Errors of Au- 116 123 Page thors concerning ...
... Sound . Swelling or Increasing in Loud- ness - Decreasing in Loudness . - Loudness uniformly continued CHAP . XI . Monotone . - No Monotone , musically speaking , exists in Spoken Language . - Errors of Au- 116 123 Page thors concerning ...
Էջ vi
... Sound Critic , 264 Beauty , Ditto , 265 The Contented Miller , 266 Infancy , 270 A Thunder Storm , 271 The Swollen Torrent , 274 The death of Mozart , ib , Music of Speech , Hohenlinden , an Epic Song , The Dying Christian to his Soul ...
... Sound Critic , 264 Beauty , Ditto , 265 The Contented Miller , 266 Infancy , 270 A Thunder Storm , 271 The Swollen Torrent , 274 The death of Mozart , ib , Music of Speech , Hohenlinden , an Epic Song , The Dying Christian to his Soul ...
Էջ ix
... sounds of the voice , without any such assistance , as is given in music to direct the eye . 5. By this , every teacher will be enabled to read or speak the same piece of composition , whe- ther prose or verse , as much in the same ...
... sounds of the voice , without any such assistance , as is given in music to direct the eye . 5. By this , every teacher will be enabled to read or speak the same piece of composition , whe- ther prose or verse , as much in the same ...
Էջ 1
... sound and mea- sure , which , when modified , are called tune and time . Instead of these , the terms used here , are ME- LODY and RHYTHM , being more classical and appro- priate when applied to speech . A Neither music nor speech can ...
... sound and mea- sure , which , when modified , are called tune and time . Instead of these , the terms used here , are ME- LODY and RHYTHM , being more classical and appro- priate when applied to speech . A Neither music nor speech can ...
Էջ 2
... sounds moving distinctly from grave to acute , or from acute to grave , by inter- vals , and always dwelling for a perceptible space of time on one certain tone : as , α b c d d F b a When music is applied to speech , it may be called ...
... sounds moving distinctly from grave to acute , or from acute to grave , by inter- vals , and always dwelling for a perceptible space of time on one certain tone : as , α b c d d F b a When music is applied to speech , it may be called ...
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning scholar semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words