The Original Rhythmical Grammar of the English Language: Or, the Art of Reading and Speaking, on the Principles of the Music of SpeechJ. Robertson, 1821 - 348 էջ |
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Արդյունքներ 38–ի 1-ից 5-ը:
Էջ ix
... feeling ; still the music of the piece re- mains the same . 6. By this , and by no other means , we can suc- cessfully destroy those marked peculiarities which 1 are so very general with all readers and speakers , PREFACE . ix.
... feeling ; still the music of the piece re- mains the same . 6. By this , and by no other means , we can suc- cessfully destroy those marked peculiarities which 1 are so very general with all readers and speakers , PREFACE . ix.
Էջ x
... speakers , but which , according to the present mode of ac- quiring these arts , no teacher can remedy , because there are no visible symbols to direct to the pro- per use of the accidents of language , from the mis- application of ...
... speakers , but which , according to the present mode of ac- quiring these arts , no teacher can remedy , because there are no visible symbols to direct to the pro- per use of the accidents of language , from the mis- application of ...
Էջ xii
... speakers , will , in this system , find ad- vantages peculiar to their profession ; advantages without which the finest strains of eloquence may be disgusting in the delivery , and the most sublime effusions of oratory tame and insipid ...
... speakers , will , in this system , find ad- vantages peculiar to their profession ; advantages without which the finest strains of eloquence may be disgusting in the delivery , and the most sublime effusions of oratory tame and insipid ...
Էջ xiii
... speaker is in the con- stant practice of using , though ignorant of the prin- ciples on which he proceeds , every time he reads or speaks . A thorough knowledge of it , therefore , may be acquired by any one who is tolerably master of ...
... speaker is in the con- stant practice of using , though ignorant of the prin- ciples on which he proceeds , every time he reads or speaks . A thorough knowledge of it , therefore , may be acquired by any one who is tolerably master of ...
Էջ 2
... speaker , as well as a bad singer , may pronounce , so as to keep no measure or rhythm . Hence a speech , marked with the Nota- tion of this Grammar , according to the manner of such a speaker , would appear to be divided unrhythmically ...
... speaker , as well as a bad singer , may pronounce , so as to keep no measure or rhythm . Hence a speech , marked with the Nota- tion of this Grammar , according to the manner of such a speaker , would appear to be divided unrhythmically ...
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning scholar semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words