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CURRENT MEMORANDA.

A Special Centennial Exposition Number. As the great Exhibition opens on the 10th of May, we have thought we should devote our May number largely to Centennial matter. We believe our Centennial pages, twenty-six in number, will be found to contain many items interesting independently of their connection with the Exhibition. Some of the facts and even some of the engravings have before' appeared in our pages; but the necessity or at least the desirability of repeating these in giving a comprehensive exhibit of the Exhibition is so obvious that we deem an apology scarcely demanded. We propose to continue our notice of points of interest in the City, in the Park, and in the Centennial Grounds, in our June number, giving perhaps a dozen or sixteen pages, and trust we shall be able to make this department interesting and profitable to our readers generally.

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Our July Monthly. We have a number of valuable papers in hand soon to appear, from some of our most esteemed contributors; among these there are three which we propose to give in the July MONTHLY, viz., one on "Thomas Jefferson," one on The Immortal Five," and one on Patrick Henry (the last written at our urgent request by the great patriot-orator's eminent grandson, William Wirt Henry); besides these, Dr. Lossing's paper of the "Historic Buildings" series, is to treat of Independence Hall"— now, to make the set, so to speak, complete, we should very much like a "History of the Fair Copy' of the Declaration," we mean of the document preserved at Washington; we have seen essays in this direction, ut they have been weak and unsatisfactory, and we believe an exact and accurate history of that "fair copy," such as some of our careful writers (for instance, Mr. At Lee, Mr. Saffell, and others whom we could name) could prepare, would be prized by all of our readers.

Where lies the Source?-Who is Responsible?— The people of the United States have lately been startled by sad news from the National Capital. We have long been sally familiarized with rascality in lower circles of public life. State, County and City scamps are no longer able to create a ripple even in the small streams of local channels, while the peculations of the lower grades of officials in the various branches of the National service no longer disturb the placid surface of the great stream of National politics. Larger fish are coming to the surface, betrayed by long im munity and augmented greed into a degree of audacity that verifies the old maxim, that "whom the gods would destroy they first make mad;" for their audacity and foolhardiness is evidently a species of madness. When the Tweeds, the Warmouths, the Cardozas, the various specimens of Southern "scalawag” thieves, and the myriads of local scoundrels in almost all sections of our country, are one by one, indeed sometimes in shoals, caught up in the great net of "investigation," and so now, when the "crooked whiskey" school

are caught, and the Babcocks and Belknaps are exposed on the beach, there is a universal hue and cry-every one, except those detected and exposed, is now honest and must attest that honesty by joining in the outcry. There is a general disposition, too, to make this outcry partisan-to denounce not the criminals alone, but all of their respective political party associates. In New York and other quarters where the detected rascals are of the Democratic persuasion, behold the righteous Republicans horror-struck at the marvelous perfidy, not of the Tweed genus, but of the Democratic Party; in the Southern States where the detected rascals are chiefly of the Republican name, behold the righteous Democrats horror-struck at the marvelous perfidy, not of the "scalawag" genus, but of the Republican Party. So, too, in the case of the National scoundrels recently, exposed, we find the same partisan efforts to make, nay to steal, party capital.

But let us look calmly at the sad truths of the whole sad story, and we shall see it is not a party matter in any of the cases. The thieves are not all Republicans and they are not all Democrats; the thieves are not thieves because they call themselves by the one or by the other party name. "A rose by any other name will smell as sweet," and a thief has the same savor call him by what epithet you may.

We must look elsewhere than in party affiliations for the source of these public plunders and defalcations; we must look deeper than we are in the habit of looking.

The AMERICAN MONTHLY is a strictly non-partisan pub. lication, devoted especially to the promotion of true American sentiments and principles, and the advancement of the best interests of our Nation, its institutions and its citizens; as such we propose to attempt to apply the microscope of close criticism to this growing cancer of public vice—to lay bare its diagnosis, and to ask the people to apply the remedy. We cannot do this in one number, and shall not even enter upon the task in this number, beyond the general statement that we believe that the source lies neither with the Repub. lican nor the Democratic Party-that neither is responsible for the terrible condition of official depravity that is bringing reproach upon our Republic and her institutions: and farther that the true source is the people and that the people are responsible-you and we, dear readers, must be prepared to accept our proposition of this responsibility.

The approaching Presidential Election.-In years agone, we have been wont to have an excitement of feverheat intensity months before the meetings of the party conventions to present candidates for President and Vice President, but here we are on the very eve of these delectable assemblages of political Savants (June 14, Republican; June 27, Democratic), and none but "the leaders" of the respec. tive parties appear to care. Does not this indicate a healthy tendency on the part of the people? are the people not finding how worthless for good politicians are? We believe that

this Fall, the politicians will find the people harder to lead than hitherto. The party which presents the best candidates and the shortest possible tissue of lies and platitudes in the name of a "platform," will win, or ought to.

last.

A letter from Governor Smith, expressing his regret = his inability to attend the anniversary exercises in Februar was read by the Corresponding Secretary. A lot of ness papers published during the late war were presented in . Jady of Savannah, and the thanks of the Society were re Georgia Historical Society.—We are indedted to Mr. to be returned to her and the papers ordered to be bot William Harden, Librarian of the Society for the following: Colonel J. Thomas Scharf, of Baltimore presented a copy o The regular monthly meeting of the Georgia Historical his "Chronicles of Baltimore." Two new members wors Society was held on Monday evening, March 6th, at eight elected. The Library committee recommended a hist o'clock, the First Vice-President presiding. Colonel C. C. books which the Treasurer was instructed to purchase. T Jones presented two hundred copies of his address on Ser- proceedings at the dedication of Hodgson Hall, the Society geant William Jasper, delivered before the Society in January | building, were ordered to be published.

LITERARY AND ART MEMORANDA.

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Boating on the Schuylkill," a good one of one of the " EHouses," a large, admirable scene called "Looking ur *Schuylkill from Chamonni." a full-page view of the "Re ing Railroad Bridge," a view of "Reading" which is w of Schell, though we cannot discover the artist's name, a e which naturally comes Pottsville," and the number ea with a pretty picture of a "Coal-Breaker."

A Century After: Picturesque Glimpses of Philadelphia picture of " Skating on the Schuylkill," a still better one and Pennsylvania, including Fairmount, the Wissahickon, and other Romantic Localities, with the Cities and Land-, scapes of the State: A Pictorial Representation of Scenery, Architecture, Life, Manners and Character. Edited by EDWARD STRAHAN. Illustrated with Engravings by Lauderbach, from Designs by Thomas Moran, F. O. C. Darley, J. D. Woodward, James Hamilton, F. B. Schell, E. B. Bensell, W. L. Sheppard, and other eminent artists. Philadelphia: Allen, Lane & Scott, and J. W. Lauderbach, 233 South Fifth Street.

According to the announcement in "Part Ten," as quoted in our notice thereof, the Poet and Artists who manipulate the pen, the pencil and the graver for this chef de'ouvre of the pictorial publications of our Centennial epoch, start away from Philadelphia and its immediate vicinage, and carry us up the Schuylkill to the picturesque regions whence we get a goodly portion of the coal to warm us withal, during the winter season, and to cook our dinners the year round, but of which many know little except what they read in the dailies when "Molly Maguires" and her subjects get up their striking commotions, and threaten to afford the dealers a chance to run up the price of the blackstones "because the mines are stopped, you know!" "Part Eleven" has for its chapter title "The Schuylkill;" Mr. Stoddard's pen is as gracefully and charmingly poetic as it knows how to be throughout the "Part;" Mr. Schell has evidently “been there" to some purpose, to judge from his "Tom Moore's Cottage," "Valley Forge," and "Near Quakake Junction,"

and those who know will readily join us in assuring those who doubt that Mr. Lauderback never puts steel to wood without improving the delineator's best drawing; we do not mean to intimate that in this "Part," or in its predecessors, only the work of our friends Schell and Lauderback are capital, for no novice is permitted to experiment in picturemaking for this superb serial-only master-hands with pencil and graver attempt to illustrate the editor's poetic prose; the consequence is a perfect harmony, the letter-press is poetic and picturesque, and the pictures are picturesque and poetic. Besides the engravings above mentioned, there are a fine night-view of " Callowhill street (Fairmount) Bridge," a terribly true representation of an " Ice-Gorge," a neat little

How to Write Letters: a Manual of Corresponden, Showing the Correct Structure, Composition, Punter tion, Formalities, and Uses of the various kinds of Lette, Notes and Cards. By J. WILLIS WESTLAKE, A.M., P fessor of English Literature in the State Normal Sh Millersville, Pennsylvania. Philadelphia: Sower, Foll & Company.

When we first read the title of this little book, we had ro examination has convinced us that its value can scarcely l« thought of its being a book of real value; but a crit overstated as a popular educator; we do not overstile when we say that only the dictionary can exceed it in valse We cannot but hope that it will be introduced into our re lic and private schools immediately, and heartily commeri it to every parent who wishes to have his or her growing son or daughter write correctly and elegantly, and to every young man and young woman. The Publishers have the work out in suitable excellent style; cloth, $1.; nr.

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gilt, $1.50," with "special rates to schools" buying a has

dozen or more copies.

Literature for Little Folks: Selections from Standava Authors and Easy Lessons in Composition. By Ears BETH LLOYD. Philadelphia: Sower, Potts & Compon This is a positive treasure for "Little Folks" who have mastered their letters and learned to spell and begun to re:! Mothers and others who have the care and teaching of Ch. dren should examine this capital little work; few will ex ine without approval. The printing, binding, etc., are the usually excellent style of Messrs. Sower, Potts & Com pany. Boards, 50 and Cloth, 75 cents, with discount to schools and purchasers in quantities.

CENTENNIAL EXPOSITION MEMORANDA.

the interior, and as easily obtained the use of the chateau of St. Cloud. Here the floors were covered with superb carpets from the Savonnerie, the walls were hung with Gobelin tapestries, and the saloons and halls were adorned with the finest specimens of Sevres porcelain. At this exhibition, a plan was formed by which a fund could be raised for the benefit of the workmen. A decree of the directory frustrated this plan. The decree banished all the nobility from Paris. The Marquis was among those who were compelled to leave. Although this, the first French Industrial Exhibition was strangled at its birth, the idea had become a public one, and it was not lost. The spirit of nationality soon found inducement to further exertion. The Marquis returned after a time, and in 1798, made preparations for his second collection, locating it in the Maison D'Orsay in the Rue de Varennes. Thousands visited it and found not only products from the three departments above named but beautiful specimens of furniture, marqueterie, clocks,

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CRYSTAL PALACE, LONDON EXHIBITION-1851.

Industrial Exhibitions of the Past.-The present is a most favorable time for retrospect relative to Industrial Exhibitions. Industry was first made the basis of popular exhibition during the stormy period of the French Revolution at a time when the bonds of society seemed to be snapped asunder, and eminent peril surrounded all the institutions of that country. At this period and, in fact, for years prior to it, three departments of manufactories in France had been under the especial rule and guidance of the government, viz., the porcelain works of Sevres, the tapestry works of the Gobelins, and the carpet works of the Savonnerie. In 1797 the French Directory appointed the Marquis d'Aveze, as Commissioner for these national establishments. He found them in a wretched condition, the operatives reduced to penury, and proofs were abundant that neither the government care nor government funds had been extended towards these exhibitions during the tumult that had marked the infancy of the Republic. He it was who conceived the idea that a new and freshened energy could be given these departments by forming a public exhibition of their products. He readily obtained the sanction of the minister of

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NEW YORK EXHIBITION BUILDING-1853.

CORK EXHIBITION BUILDING-1853.

YLON-SMITH F

many departments of manufacture. Such was the third, and the tre strictly national, where the expense was bene by the State. Then the government determined to make them annual, and to admit provincial towns w equality with Paris in respect to specimens admitted. This ve

not fully carried out, i the second did not occur until 1801.

This one, under the supervision of the Firs Consul, was held in the great quadrangle of the Louvre which was fitted up with gal leries for that purp It was marked by the excellence of its wo!

ens, cottons, carpes, fancy leathers and prin ing, and it was men

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watches, silks, and other like fine manufactures from the orable by the first appearance, as an inventor, of the ingen s chief manufactories of Paris.

These were preliminary expositions, but they were speedily followed by others more formally under the direction of the government. When Napoleon returned flushed with victory, from his Italian cam

Jacquard. in answer to an offer from the Society of Arts, of England, of a prize for the invention of a loom for wear ing fish-nets, Jacquard produced a machine and won the prize.

paign, with visions of Roman triumph in his

mind, he bethought of a

Temple of Industry as a worthy pendant to the Temple of Glory, and such a Temple was erect ed in the Champ de Mars in 1798, with many advantages to manufactures and productions. This exhibition was open only three days, but the Parisians went fairly wild over it.

The jury system was established, and among the nine jurymen we find such men as Molard, Chaplat and Berthard. Among the exhibitors and prize holders, such men as Lenoir, Clouit, Payen and Brequet, men of great celebrity in

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MUNICH EXHIBITION BUILDING-1854.

This second exhibition was open six days, and counted 229 exhibitors, against 119 in its predecessor. Sixty medals were distributed.

In 1802, the third National Exposition was held. The days were seven and the num

ber of exhibitors 540, to whom 224 medals were distributed.

From this came the establishment of the Societe de' Encouragement, a kind of society of arts, which has rendered much important service to French manufactures.

The fourth exhibition of 1806 was held when Napoleon had become a king-maker. A building was erected on the Esplanade des Invalides, and the exposition lasted twenty-four days, had 1,550 exhibitors, and distributed 650 medals. The distinguishing feature of this exposition was the great variety of textile goods, printed cottons, silk and thread lace, blonde, cloth, shawls, etc., steel and iron were also represented.

There was a long interval between this and the fifth exposition, which was held in 1819, in the court of the Louvre. The wars of Napoleon drew

the attention of the people from the peaceful arts. This one was open thirty-five days, and nearly 2,000 exhibitors were in attendance. In 1823 the sixth was held, open for two months. In 1827 the seventh was held, which exceeded all others. It lasted sixty-five days, had more than 2,000 exhibitors, and distributed more than one thousand medals. The steam-engine and its wonders told more significantly in this exposition than in any former one in the greater regularity of finish given to various manufactured goods, and in the greater cheapness and distribution of the product. Merinoes have become an article of extensive manufacture; shawls, tulles, and blonde, were manufactured on a large scale, silks were, by the steam-engine, made

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to include products of the spun as well as the thrown material; mixed silk and wool had come into use. Cotton printing was general, and the making of paper in endless sheets a conquest of steam power. In the interval between

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MANCHESTER EXHIBITION BUILDING-1857.

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