The Collected Letters of Joanna Baillie, Հատոր 2

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Fairleigh Dickinson University Press, 1999 - 715 էջ
Volume two of The Collected Letters of Joanna Baillie features her correspondence with Margaret Holford Hodson, Lady Byron, Mary Montgomery, and Anna Jameson. Other letters reveal her respect and admiration for Sir Walter Scott, as well as her connections to American writers and theologians living in the Boston area in the early-to-mid 1800s. The book includes much of the biographical evidence missing in previous portraits of Joanna Baillie but essential for future critical inquiry.

From inside the book

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Preface
523
Acknowledgments XV
526
Acknowledgments
529
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Հեղինակի մասին (1999)

Joanna Baillie was born in Glasgow, Scotland, in 1762, into a serious and religious family. She was educated in a girls' boarding school. Baillie moved to London in 1783, when her brother inherited the school of anatomy and museum founded earlier by their uncle, William Hunter. Although only five of her plays were produced during her lifetime, Joanna Baillie's 22 plays on the passions were published between 1798 and 1812, supposedly initiated a revival of the drama during the romantic period. Baillie's home in Hampstead, which she shared with her mother and unmarried sister, attracted the most famous writers in England, including Coleridge, Byron, Southey, Landor, and her staunchest advocate, Sir Walter Scott. According to the introduction that she wrote to the plays, each play was written to demonstrate the inner struggle of an individual with a dominating passion. Although actors may have found the opportunity in her plays to present emotions such as boundless anger, jealousy, pride, and revenge, plays about single passions were too monotonous, subtle, introspective, and philosophical for contemporary taste. While the plays were written in unfashionable blank verse, the psychology was interesting-to see how people with dominant passions respond to crises, the way in which they reveal or fail to reveal intense feelings in intimate situations. Baillie contributed to the development of a secular morality suited to a stage from which religion and religious texts had been banished. In addition, she translated contemporary theories of human behavior into drama. The mystery of Joanna Baillie was how anyone from such a sheltered environment and with such limited experience could conceive of the vast range of material from which she created her dramas.

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