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GERMANY.

M. Francois de Salingre, a chemist of Halverstadt, has discovered a mode of inanufacturing an oil from cabbage seeds, superior to any vegetable oil now known. 1. It equals in point of yellow colour and purity the fin est oil in Provence. 2. It is in dorous, andhas the taste of almonds, which distinguishes it from the oil of rape seed. 3. It may be substituted for olive oil in sallads, and for other domestic uses. 4. When used as lamp oil, it gives a bright flame without smoke. It is also very economical-a given quantity will be consumed much more slowly than the same quantity of rape oil within the same time.

It is well known that the deeper we penetrate into the earth, the greater is the warmth. At Frieberg, they pretend to have calculated that this increase of warmth amounts to one degree of the thermometer for 150 feet, from which it is inferred, that at the depth of 50 German, (225 English) miles iron must melt and the interior of the earth be a sea of liquid fire.

Mr. Henz, an eminent tanner of Srzensk, in Poland, bas ascertained that the leaves of the oak are equal to the bark in tanning leather, provided they are used in the month of September, when they possess the bitter sap, which they afterwards lose.

UNITED STATES OF AMERICA.

Some persons employed by the Hon. Mark L. Hill, to make improvements on his farm at Phipsburg, situated at the mouth of Kennebec river, whereon are to be seen the remains of the ancient fort built by Sir George Popham in 1607, found, in May last, about 16 inches under the surface of the earth, an axe, which unquestiona

bly bas lain there 210 years; because those of Popham's party, who survived the inclement winter of 1607-8, returned in their ships to England, in May, 1608, and there has been no dwelling house, or person who has lived at, or near the site of this ancient fort since. This axe, being probably the oldest manufactured article known in this part of the country, has been presented by Mr. Hill to the Antiquarian Society

It appears, by several of the English periodical publications, lately received in this city, that Captain Riley's Narrative is in the press, and will soon be published in London, in a quarto form.

J. Eastburn & Co. of New-York, have issued proposals for re-publishing by subscripthe Arts," a work of great erudition and tion" The Quarterly Journal of Science and much interest, edited originally at the Royal Society of Great Britain, by William Thomas Brande. Esq. F. R. S. L. and E. B. and others. The publication is to commence in August

next.

the artillery, has for some time been engaged, We understand that Captain O'Connor, of

by order of the War Department, in translating from the French a celebrated Treatise on the Science of War and Fortification, originally composed by order of the Emperor Napoleon for the use of the students of the Imperial Polytechnic and Military Schools of France. This Work embraces the whole Science of War, and Field and Permanent Fortification, with all the modern inventions and improvements in the latter branches; and in France is universally used by the military, and is esteemed beyond all other productions on the subjects, being considered a masterpiece. We learn that the Translation is completed, and will shortly be published for the use of the Cadets of the United States' Military Academy.

E.

ART. 7. REVIEW AND REGISTER OF THE FINE ARTS.

PENNSYLVANIA ACADEMY OF FINE ARTS.

AT

President-John Trumbull. Vice PresiT an election for president and direc- dent-John R. Murray. Directors-Cadwaltors of the Pennsylvania Academy of lader D. Colden, William Cutting, John G. Fine Arts, held at the Academy on Monday Bogert, David Hosack, Archibald Bruce, the second of June instant, the following gen- Archibald Robertson, Benj. W. Rogers, Wiltlemen were chosen, viz:-President-Joseph liam Dunlap, John Mc Comb, Saml. L. WalHopkinson. Directors-William Tilghman, do, James Renwick. Treasurer-John PinEdward Pennington, William Meredith, William Rush, Plunket F. Glentworth, James Gibson, Zaccheus Collins, Thomas Cadwalader, John Vaughan, Griffith Evans, Thomas Sully, Joseph Allen Smith.

AMERICAN ACADEMY OF THE EINE ARTS.

The following gentlemen have been elected Officers of the American Academy of the Fine Arts for the year 1817-viz.

tard. Secretary-Alex. Robertson. Keeper and Librarian-William Dunlap. Academicians-John Trumbull, William S. Leney, John Mc Comb, John I. Holland, Saml. L. Waldo, William Dunlap, Peter Maverick, John Dixey, Archibald Robertson, Alexander Robertson, A. Anderson, William Rollinson, G. B. Brown, A. Dickinson, John Vanderlyn, J. O. Donnell,

Second Exhibition of the American Academy of conscious that on the common act of hospitality

the Fine Arts. (Continued.)

The last mentioned painter (Omeganck) is still living, an ornament to his country, and perhaps the best painter of animals, particularly sheep, which the world possesses. His Landscape is likewise uncommonly fine. The keeper of the Musee de France, when asked why there was no picture of Omeganck in the Exhibition, replied, that in tenderness to him as a living artist, they would not injure him by comparison! Omeganck has since visited the Museumn in person, as one of the Commissioners appointed by the King of Holland to reclaim the pictures plundered by the Emperor of the French.

No. 19. Battle of Cavalry.-BReydel. In a space whose utmost length is 6 inches, and breadth 5, the painter has represented an extensive plain, on which, and under the walls of a Castle, large bodies of Cavalry are mingled in bloody strife. The composition, drawing, colouring, and touch, show the hand of a mas

ter.

No. 20. Portrait of a Lady.-W. DUNLAP. This is a half length of a lady, sitting, and leaning her head on one hand, while the other rests easily on her silk drapery. There is much truth in the composition.

No. 21. Mary Magdalen. W. DUNLAP. A spirited sketch, the parts most finished make us wish that equal labour had been bestowed on the whole.

No. 22. Landscape.— RUYSDAL.

This is a jewel. There were two painters of the name of Ruisdaal, (for with all due deference to the Librarian of the Academy, so we believe the name is spelt,) James and Solomon. The works of the first are valued by Le Brun and by

De Burtin at 8000 livres; the second at 1720.

James Ruisdaal, whose landscape we believe this to be, was distinguished for his knowledge of nature and of the effect of light and shade. His master was the celebrated Everdingen.

No. 23. Christ on the Mount of Olives.W. DUNLAP.

No. 24. Infant St. John.

No. 25. Battle of Cavalry.-Breydel. Still more beautiful than its companion, No. 19. The principal Horse and Man are very

ine.

No. 26. Flemish Scene.

No. 27. Flemish Card Party.
Great truth of expression.

No. 28. Rebekah at the Well.-W. ALSTON. This charming picture is painted subsequently to the large picture of the resuscitation of the dead man on touching the bones of the prophet, which established the reputation of Mr. Alston. This last we have not seen. No. 28 does great honour to its auther. The lovely Rebekah, un

she is performing, an act so congenial to her sex, depends her future fate, has an air of nonchalence faithful Eleazar. The camels and men in the well contrasted with the anxious gaze of the distance are finely painted, particularly the figure on whom the light falls. Mr. Alston's touch is new to us, and we are not prepared to praise it, neither shall we condemn it. The finish of many parts of the picture is very fine. This beautiful composition is the property of Mr. Van Schaick of our city, who when in Europe gratified his taste by encouraging the merit of his countryman Alston, and has set an example to our wealthy merchants, who expend their thousands and tens of thousands upon walls, carpets, and mirrors, but have not heretofore been in the habit of calling forth the talents of the painter to decorate their splendid halls and drawing rooms with the instructive and taste-refining productions of the pencil. Let them be assured that a good picture reflects more honour upon the possessor than ten times the wealth that purchased it; and (a circumstance by no means to be forgotten) will, if taken due care of, increase in value by age.

No. 29. An old Woman and little Girl by fire light.-W. JEWITT.

Mr. Jewitt, quite a young Artist, has succeed ed admirably in representing the effect of firelight, upon two figures well contrasted and hap pily imitated from nature.

No. 30. A Storm at Sea.

An admirable picture, and deserving of a better place.

No. 31. Portrait of G. Clarke, Esq.-S. L. WALDO.

No. 32. Female half length.-Painted by PARIS BOURDON, the pupil and rival of Titian.

Gallery; we know of none so fine on this side This is the finest specimen of colouring in the the Atlantic. It is a model for every Artist to study, for colouring, but not for composition or design. It was in colouring alone that Bourdon (or Bourdone) was the rival of the prince of colourists.

No. 33.- Portrait of a Gentleman.-S. L. WALDO.

No. 34. La Madonna dell Galto,-Copied from Barocci by Tompkins.

Family, the attention of the children occupied by This beautiful little picture represents a Holy a cat. It is difficult to imagine any thing more true to nature. Barocci was born at Urbino in 1528, and painted most of his great pictures at Rome.

No. 35. Study for the Woman taken in Adultery.-J. TRUMBULL.

The large picture was exhibited last Fall, and is, in our opinion, the most perfect of the life-size compositions of Mr. Trumbull. It has the "Bon choix, bien rendu” of the French Con noisseurs. It is a picture which will remind the

beholder of Corregio. The study is in itself a carefully painted and beautiful picture, principally differing from the large picture, in having the woman's drapery white.

No. 36. Holy Family, with Eleazer and St. John J. TRUMBULL.

A picture of uncommon beauty, evincing a knowledge of all the parts which belong to this enchanting and very difficult art. The St. John is perhaps the finest part of the composition. No. 37. Study for our Saviour with little Children.-J. TRUMBULL.

As the picture itself is in this exhibition, and is much improved upon the study, we will reserve our remarks until we reach its number.

No. 38. The Virgin and Child, Elizabeth and St. John.-Copied from ANDREA DEL SARTO by Tompkins.

This is a pendant to No. 34, but though the name of Andrea del Sarto stands higher than that of Barocci, few beholders but will prefer the picture of the latter here exhibited to that of the former. Andrea del Sarto (whose real name was Vanucchi) was born at Florence in 1488. His character of design is learning and simplicity, both of which may be seen in this picture, but there is likewise severity and hardness.

No. 39. Portrait of the Marquis de la Fay

ette.

Very bad.

No. 40. An old Man. CUYP.

A head of merit, whether by Cuyp or not. No. 41. The Archangel Michael preparing to enchain Satan. Revelations, chap. 12 and 20. A sketch in Fresco.-ARCHD. ROBERT

SON.

One of the effects of the revival of the American Academy of the Fine Arts, and the opening of a Gallery for Exhibition, is that talent is stimulated to action, and sleeping genius roused to exertion. Mr. Robertson has here evinced a knowledge of composition and design which does him honour.

No. 42. Portrait of Paul Veronese, between Virtue and Vice. Figures as large as life. -PAUL VERONESE.

Many of our readers will remember a fine en graving of this picture, in the "Florence Gallery." Unfortunately the painting has been so abused as to diminish the satisfaction of the beholder, and almost to destroy the impression which would otherwise be made by the work of so great a master. The composition is grand, the massing of light and shade, equally so, and the drawing beautifully correct; but we have only the remains of the colouring of one of the great colourists of the Venetian school. Paolo Cagliari (called Veronese, from the place of his birth) lived from 1530 to 1588; he distinguished himself by many great pictures, but particularly

* The recurrence of this name reminds us of an error in the proning of the remarks, on No. 3, where 1553, should be read for 1253.

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This fine picture ought to have a better situation. It ought to have the strongest light in the room.

No. 51. An Italian Landscape. View in the Burghese Gardens.

Very beautiful.

of George Washington.-G. STEWART.
No. 52. A full length Portrait, size of life,

We are always delighted by the magic of Stewart's pencil. This is either the copy or the original of the picture painted for Lord Lansdown, from which the engraving was made by Heath. We have seen a full length portrait of Washington, by Stewart, giving another view of the face and another attitude, beyond all comparison preferable to this. It is in the possession of Peter Jay Munroe, Esq. We lament that the engrav ing had not been made from Mr. Munroe's, rather than Lord Lansdown's picture. It is not only a better picture, but it is much more like the person and face of Washington. In No. 52, a disagreea ble protuberance of the under lip may be observed, and a deficiency of chin very unfavourable to the physiognomy.

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No. 53. Italian Ruins.-ALLPOrt.
Apparently a copy from a print.
No. 54. A Landscape.

No 55. Landscape, with hunters and hounds.
—MAES.

There were three eminent painters of the name of Maes (or Maas) Dirk, Arnold, and Nicholas.

This, if from the hand of either, is painted by Dirk Maas, who was born at Haerlem in 1656, and at the best period of his practice excelled in Battles, Chases, and Cavalcades, giving his horses with great truth and force.

No. 56.

Venus and Vulcan.

No. 57. Flemish Peasants.

Nos. 58, 59, 60. Portraits.-WRIGHT of DERBY.

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Fruit Piece. Mrs. ROBERTSON. No. 82. Fruit, Wine, &c. E. METCALF. There is a truth of imitation, neatness of pencilling, and beauty of colouring, as well as good

to every beholder.

No. 61. A Mother caressing her Infant-composition, which must recommend this picture copied from Titian by a very eminent British Artist.

This we presume is given as sent in. No. 62. Michael and the Fallen Angels copied from RUBENS.

This is undoubtedly a copy from Rubens, though not by a very eminent artist, but even a copy from Rubens affords delight and instruction.

No. 63. A portrait of a Child—“ I am so big."-ARCHD. ROBERTSON.

No. 64. View of the Falls of Yantick River, at Norwich, Connecticut. J. TRUMBULL. Charming scenery well painted.

No. 65. Landscape.

No. 66. St. John with a Lamb. J. TRUMBULL.

No. 67.

tick River.

Another view of the Falls of YanJ. TRUMBULL.

No. 83. Fruit Piece. By a masterly hand.
No. 84. Dead Game. E. METCALF.
the same merits.
This is a companion to No. 82, and partakes of

No. 85.
No. 86. Landscape. BOURGUIN.

Fruit. Mrs. ROBERTSON.

A highly finished and beautiful composition. No. 87. A Female head in Crayons.

No. 88. Landscape. BOURGUIN.

The companion to No. 86, and still more beautiful, though it lacks the well touched figures of the first.

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A picture of merit.

No. 90. Magdalen. HERRYNS.

This is a very bad copy of a picture of the great Corregio's. We have seen a mezzotinto print This is a companion to No. 64, and is even from Corregio's picture, possessing much more more beautiful. There is a quiet harmony of the beauty of the original than this painting throughout the picture that is delightful. All can boast.

looks nature.

No. 68. Ruins.

No. 69. Portrait of a Lady. COPLEY. This is a production of Mr. Copley's, before he had seen the works or received the instructions of any master in the art. John Singleton Copley, one of the men who have made the United States to be considered as the birth place of painters, was born in Boston, Massachusetts. After leaving his native country, then an English province, he fixed his residence in London, and soon attained a high rank in his profession. His pictures of the Death of Lord Chatham, Death of Major Pierson, Youth rescued from a Shark, and Destruction of the Floating Batteries at Gibraltar, are most known from having been engraved. The portrait under consideration has much to be admired, and will afford useful hints to young portrait paint

erg.

Nos. 70 and 71. Views in Amsterdam. THEIRFS.

No. 72. Landscape.

No. 73. Landscape. VAUREGEMORTEL. No. 74. Fruit Piece. Mrs. ROBERTSON. No. 75. Woman buying Vegetables. VAN

DERPOOL.

No. 76. Scene from Rokeby. ALLPORT. No. 77. Man buying Game. VANDERPOOL.

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No. 96. Landscape.
No. 97-is missing.
No. 98.

Travellers and Cross.
A remarkably fine little picture.
No. 99. A head.

There is no painter's name given in the Catalogue, but it is said to be by Ferdinand Bol, a distinguished Artist, born at Dort, in 1611. It is certainly a well painted head.

No. 100. Lear. B. WEST..

Here we have before us one of the best pictures of the greatest Historical Painter of the eighteenth century, Benjamin West, of Pennsylva nia. This great Artist was born in Chester County, Pennsylvania, in 1738. At the age of 22, after having been 14 years employed in teaching himself to paint, and a part of that time practising

his art for his emolument, he had accumulated a sufficiency to bear his expenses to Italy, and assisted by the liberality of Mr. William Kelly of New York, and Mr. Allen of Philadelphia, he attained the object of his wishes, an opportunity of studying the great works of the masters of his profession at Rome. Mr. West arrived at Rome in July, 1760, and was advised by Mengs to visit Florence, Bolonga, Parma, and Venice. This advice he was enabled to pursue by the liberality of Messrs. Allen and Hamilton of Philadelphia, who, unsolicited, remitted letters of unlimited credit in favour of West, to their agent in Leghorn. At Parma be made the copy of Corregio's Virgin and St. Jerome, which is the third number of the present Exhibition, and which is in the possession of the family of Mr. Allen, one of his first patrons. Having an opportunity of visiting

England, he in his way thither passed through Turin and Paris, profiting by the works of art there displayed. In England Mr. West's success in the great object of his ambition was so great as to prevent his return to his native land, and he continues to exert the full vigour of his uncommon talents at the age of seventy-nine; nay, the last great picture he has exhibited, "Christ Rejected," is not only his greatest performance, but ranks among the greatest pictures of the world. The painting under contemplation, "The Madness of Lear," was painted for Alderman Boydel in the year 1798, and was, with its companion, "The Madness of Ophelia," purchased by Mr. Fulton at the sale of the Shakespeare Gallery. Mr. West then retouched the picture, which he always considered as one of his finest compositions. W.

ART. 8. RELIGIOUS INTELLIGENCE.

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The Bible Society of Virginia held a geneal meeting at the capitol in the city of Richmond, in the last month.

The corner stone of a new church has lately been laid in Baltimore. On a brass plate deposited in the stone, are written these words," There is one GOD, and one Mediator between God and man, the man Christ Jesus." 1. Tim. ii. 5.

From the Report of the board of inspection of the Albany Sunday Free School Society, for the benefit of Africans, it appears, that besides the direct benefit of the institution, the force of example had led to the organizing similar associations in the neighbouring towns and counties. The average number which had attended the school, in the past year, was about 200. The pupils bad been of all ages, from 4 years to 78 years. At the Annual Meeting of the Connecticut Bible Society, held in the State House in the City of Hartford, on Thursday the 8th ult. the following officers were chosen for the ensuing year-Hon. John C. Smith, President. Hon. Jedediah Huntington, Rev. Samuel Nott, Rev. Lyman Beecher, Rev. Sa

muel Merwin, Vice Presidents. Mr. Henry Hudson. Secretary Mr. Joseph Rodgers, Treasurer. There have been distributed the year past by this society. 3105 bibles; and since its organization in 1809 to 1st May last, it has distributed 18,053 bibles and 196 testaments.

A new Tract Society has been formed in Livingston County, (Kentucky,) called the Bethany Tract Society'

A society has lately been instituted in Savannah, (Georgia,) under the name of the 'Savannah Female Mite Society,' for missionary purposes.

The East Tennesee Bible Society,' has become auxiliary to the American Bible Society.'

A Female Auxiliary Bible Society has been lately established in Colchester, Connecticut

A Bible Society has been organized in the county of Herkimer, New-York.

The following donations have been made to the American Bible Society,' by societies not professedly auxiliary-Philadelphia Female Bible Society, 500 dollars; Long Island do 200 dollars; Stanton (Va.) do. 200 dollars; Middleburg Female do. 90 dollars; Charleston, (S. C.) do 500 dollars.

A Female Sunday School for adults has been established at Chilicothe, (Ohio,) and there is a prospect of others being opened in that town.

We notice, with pleasure, that the board of directors for the American Bible Society, have resolved to publish the Bible in the language of the Aborigines of this country. E.

ART. 9. POETRY.

N the following Parody of Virgils' Pasto- Proeme,' to the Shepherd's Week,' from is ly preserved to heighten the ridicule. His ludicrously quaint. As this part of his works

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