Nineteenth-Century Literature CriticismGale, 2004 - 528 էջ Here is a convenient source of commentary on the careers and works of acclaimed poets, novelists, short story writers, dramatists and philosophers who died between 1800 and 1899. Each volume presents overviews of four to eight authors with chronologically arranged criticism representing the entire range of response to each author. Entries typically include an author portrait, an introduction to the author, a primary bibliography, annotated criticism and an annotated list of further reading sources. Approximately 90-95% of critical essays are full text. Every fourth volume is a Topics volume covering major literary movements, trends and other topics related to nineteenth-century literature. Volumes include author, nationality, topic and title indexes; a cumulative title index to the entire series is published separately. |
From inside the book
Արդյունքներ 40–ի 1-ից 3-ը:
Էջ 271
... representation in the mode of the drama . The objectivity of The Cenci that White , and many others , have emphasized in specific contrast to Prometheus Unbound , is not the distinction of fact from fiction , but of the drama from the ...
... representation in the mode of the drama . The objectivity of The Cenci that White , and many others , have emphasized in specific contrast to Prometheus Unbound , is not the distinction of fact from fiction , but of the drama from the ...
Էջ 278
... representation , did he get it right ? is displaced into the interpretative puzzle ( and representational tautology ) of : do we understand ourselves ? The representation of the world literally disappears as we discover in the world ...
... representation , did he get it right ? is displaced into the interpretative puzzle ( and representational tautology ) of : do we understand ourselves ? The representation of the world literally disappears as we discover in the world ...
Էջ 282
... representation through self- representation to understanding , and which founds the phenomenal and aesthetic claims of the dramatic mode , is established not as an identification of what we see with what we understand , of subject with ...
... representation through self- representation to understanding , and which founds the phenomenal and aesthetic claims of the dramatic mode , is established not as an identification of what we see with what we understand , of subject with ...
Բովանդակություն
Robert Schumann 18101856 | 63 |
Percy Bysshe Shelley 17921822 | 149 |
Frank J Webb 1828?1894? | 322 |
Հեղինակային իրավունք | |
3 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
AAYA action aesthetic African Americans AITN AMWS audience Beatrice Cenci Beatrice's BPFB BRWS CAAS CANR CDALB CDBLB CDWLB character Charlie CMLC Count Cenci criticism Cromarty DAM DRAM DAM MST DAM MULT DAM NOV DAM POET DAM POP death DLBY drama Edinburgh Ellis essay evil father Garies geology Giacomo Hugh Miller imagination incest Irish Jean Paul John language Leipzig literary literature LMFS Lucretia MAICYA Mary ment moral MTCW murder Musik natural history NCLC novel NZfM Old Red Sandstone Orsino parricide Percy Bysshe Shelley Philadelphia play poetic poetry political Preface Prometheus Unbound reading representation RGAL RGEL RGSF RGWL riot Robert Schumann Romantic SATA scene Schu Shel Shelley's SSFS Stevens story SUFW TCLC tion tragedy University Press Walters Webb Webb's WLIT writing York