Miller's Modern Acting Drama: Consisting of the Most Popular Pieces Produced at the London Theatres, Subject to the Provisions of the Dramatic Copyright Act ...

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J. Miller, 1833
 

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Стр. 14 - My father urgit sair: my mother didna speak; But she look'd in my face till my heart was like to break : They gi'ed him my hand, but my heart was at the sea; Sae auld Robin Gray he was gudeman to me. I hadna been a wife a week but only four, When mournfu...
Стр. 32 - But if she whom love doth honour Be conceal'd from the day, Set a thousand guards upon her, Love will find out the way.
Стр. 12 - I'm fairly out of breath, and have said my say), The trouble and the rout, to wrap and get them out, When they drove to their lodgings in their one-horse chay.
Стр. 11 - Mrs Bubb was gay and free, fair, fat, and forty-three, And blooming as a peony in buxom May ; The toast she long had been of Farringdon- Within, And fill'd the better-half of the one-horse chay.
Стр. 13 - I never by chance hear the rattling of dice, that it doesn't sound to me like the funeral bell of a whole family. I see ; your master played a losing cast — he was a gamester 1 Lub.
Стр. 12 - I am sartin, may be trusted gig or cart in, He takes every matter in an easy way ; He'll stand like a post, while we dabble on the coast, And return back to dress in our one-horse chay.
Стр. 10 - When our crazy tents were raising ; — You may see where we have been ; Where we are — that is not seen. Where we are, — it is no place For a lazy foot to trace. Over heath and over field, He must scramble who would find us ; In the copse-wood close concealed, With a running brook behind us. Here we list no village clocks ; Livelier sound the farm-yard cocks, Crowing, crowing round about, AS if to point their roostings out ; And many a cock shall cease to crow, Or ere we from the copse-wood...
Стр. 12 - So out they drove, all drest so gaily in their best, And finding, in their rambles, a snug little bay, They uncased at their leisure, paddled out to take their pleasure, And left everything behind in the one-horse chay.

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