The Celestial Twins: Poetry and Music Through the AgesUniversity of Massachusetts Press, 1999 - 328 էջ All art constantly aspires toward the condition of music, wrote Walter Pater. The Celestial Twins, while recognizing many affinities between music and poetry, argues that poetry in Western culture has repeatedly separated itself from music contexts and that the best poetry is a purely verbal art. H. T. Kirby-Smith makes his case with wit and erudition, proceeding chronologically and citing numerous examples of specific poems--from Latin, Old French, Italian, Anglo-Saxon, modern French, and English. He points out that ancient Greek poetry, including the epics, was part of a musical context. By contrast, almost no surviving Latin poetry was written for musical performance, but the meters of Latin poetry were borrowed from Greek musical meters. Similarly, in their own ways, Thomas Hardy, T. S. Eliot, and Langston Hughes all wrote out of musical contexts: Hardy from west-of-England songs and dances; Eliot from Wagnerian opera and late Beethoven chamber music; and Hughes from blues, jazz, and spirituals. Although poets from Horace to Shakespeare to Dickinson have instinctively recognized the separation of music and poetry, there have also been well-meaning attempts to bring these allied arts back into close association with each other. But in Kirby-Smith's view, poetry of the highest order has always maintained a respectful distance from music, even while retaining some memory of musical rhythms and organization. |
From inside the book
Արդյունքներ 86–ի 1-ից 3-ը:
... meter used there is called Saturnian ; the fact that it was a recognized meter is supported negatively by the denunciations of it by Virgil , Horace , and others . To them it must have seemed outlandish , uncouth , and rough , as the ...
... meters ) , and Hardy used very loose accentual meters ( without ever attempting an alliterative structure ) . The meter itself seems unlikely ever again to be widely employed ; only when it can be adapted and submerged can it function ...
... meter , Eliot placed himself solidly in a line of poets who perceived that the pentameter overlay , especially as cultivated in the eighteenth century , could falsify their language . Even the eighteenth century was a great period of ...
Բովանդակություն
From Latin Verse to Sacred Song | 25 |
The Transition to Vernacular Song | 45 |
OralFormulaic Beginnings | 61 |
Հեղինակային իրավունք | |
9 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
The Celestial Twins: Poetry and Music Through the Ages Henry Tompkins Kirby-Smith Հատվածի դիտում - 1999 |