University of Chicago Press |
Բովանդակություն
1 The Culture of Fear and Doubt and How to Leave It | 1 |
Why Fair Use Is So Important | 16 |
The Back Room Story | 34 |
The Public Campaigns | 48 |
5 Fair Use Resurgent | 72 |
How Judges Think Now | 86 |
Pioneering Best Practices | 102 |
8 Codes of Best Practices Catch On | 119 |
10 How to Fair Use | 157 |
11 The International Environment | 178 |
Appendix A Codes of Best Practices in Fair Use | 187 |
Appendix B Documentary Filmmakers Statement of Best Practices in Fair Use | 188 |
Appendix C Myths and Realities about Fair Use | 199 |
You Be the Judge | 204 |
| 215 | |
| 221 | |
Common terms and phrases
appropriate archives artists Association best practices broadcasters challenge clips code of best commercial communities of practice companies copy copyleft copyright holders copyright law copyright owners copyright policy copyrighted material court created Creative Commons creators critique cultural expression decision digital rights management DMCA documentary filmmakers economic educational Electronic Frontier Foundation employ fair exemptions fair users fair-use claims fair-use doctrine fair-use rights film filmmakers Foundation gatekeepers Google Gordon Quinn images infringement instance intellectual property journalists Judge Lawrence Lessig lawsuit lawyers legal scholars Lessig librarians libraries licensing limitations Live Crew long and strong makers mashups media literacy movie online video organizations permission popular culture Practices in Fair problem produced professional protection public domain publishers quote remixers repurposing share slideshow social song stakeholder Statement of Best strong copyright takedown teaching tion understand University unlicensed visual arts YouTube