Poetry and Its EnjoymentTeachers College, Columbia University, 1957 - 322 էջ |
From inside the book
Արդյունքներ 17–ի 1-ից 3-ը:
Էջ 253
... techniques . An obvious failure in technique — a limping line , for instance , or a strained rhyme is likely to interfere with and even to prevent pleasure . And , at the other extreme , flaunting of skill , a sort of professional ...
... techniques . An obvious failure in technique — a limping line , for instance , or a strained rhyme is likely to interfere with and even to prevent pleasure . And , at the other extreme , flaunting of skill , a sort of professional ...
Էջ 293
... techniques . One way of learning to appreciate techniques is to try one's hand at original creation . One evening a caller was ridiculing the playing of a violin by a young man whom we knew . Bringing an instrument , I said , " See if ...
... techniques . One way of learning to appreciate techniques is to try one's hand at original creation . One evening a caller was ridiculing the playing of a violin by a young man whom we knew . Bringing an instrument , I said , " See if ...
Էջ 297
... techniques that poets use . The purpose of techniques is of course to facilitate appre- ciative enjoyment . But as the effective use of skills is in itself interesting in the making of poetry as in making a touch- down on a football ...
... techniques that poets use . The purpose of techniques is of course to facilitate appre- ciative enjoyment . But as the effective use of skills is in itself interesting in the making of poetry as in making a touch- down on a football ...
Բովանդակություն
CHAPTER | 3 |
A HELPFUL CONCEPT OF ART | 21 |
THE VALUES OF POETRY | 37 |
Հեղինակային իրավունք | |
7 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
achieve Adelaide Crapsey alliteration Amy Lowell appeal appreciation arouse artist assonance beauty bird Browning Browning's child color composition connotative conventions convey Coventry Patmore dead death diction dream drip Edgar Lee Masters effect Emily Dickinson emotion emphasized enjoyment excerpt experience expression eyes feeling flower galloped give hath heart hill idea illustrations images imagination Keats light lines look lover lyric means memory mood moving never night Ogden Nash Onomatopoeia painting passages permission person picture pleasure poem poet poet's poetic poetry presented prose publishers reader response rhyme rhythm Roland Sara Teasdale sense sensuous setting sing sleep song sonnet soul sound stanza star story sweet T. S. Eliot taste tears techniques tell Tennyson thee things thou thought tion tree tropes unity verse W. H. Auden William Rose Benét wind words Wordsworth wrote young