Around her head an oaken wreath was seen, Such was the sculptured prow-from van to rear scar, And o'er her helmet gleamed the northern star. The George emblazoned on his corselet shone; Thus the rich vessel moves in trim array, OCCASIONAL ELEGY. The scene of death is closed, the mournful strains Dissolve in dying languor on the ear; Yet pity weeps, yet sympathy complains, And dumb suspense awaits o'erwhelm'd with fear. But the sad Muses, with prophetic eye, At once the future and the past explore; Their harps oblivion's influence can defy, And waft the spirit to the eternal shore. Then, O Palemon! if thy shade can hear While secret anguish nips her vital bloom; Untaught in virtue's school distress to bear; Severe remorse his tortured soul shall wring"Tis his to groan and perish in despair. Ye lost companions of distress, adieu! Your toils and pains and dangers are no more! The tempest now shall howl, unheard by you, While ocean smites in vain the trembling shore. Whose strings unlock the witches' midnight spell, On you the blast, surcharged with rain and snow, Or waft rapt Fancy through the gulfs of hell: Struck with contagion, kindling Fancy hears The songs of Heaven, the music of the spheres! Borne on Newtonian wing through air she flies, Where other suns to other systems rise. These front the scene conspicuous; overhead Albion's proud oak his filial branches spread: While on the sea-beat shore obsequious stood Beneath their feet, the father of the flood: Here, the bold native of her cliffs above, Perched by the martial maid the bird of Jove; There, on the watch, sagacious of his prey, With eyes of fire, an English mastiff lay. Yonder fair Commerce stretched her winged sail; Here frowned the god that wakes the living gale: High o'er the poop, the flattering winds unfurled The imperial flag that rules the watery world. Deep-blushing armours all the tops invest, And warlike trophies either quarter dressed: Then towered the masts; the canvas swelled on high; And waving streamers floated in the sky. In winter's dismal nights no more shall beat; Unfelt by you the vertic sun may glow, And scorch the panting earth with baneful heat. No more the joyful maid, with sprightly strain, Shall wake the dance to give you welcome home; Nor hopeless love impart undying pain, When far from scenes of social joy you roam. No more on yon wide watery waste you stray, While hunger and disease your life consume; While parching thirst, that burns without allay, Forbids the blasted rose of health to bloom. No more you feel Contagion's mortal breath, That taints the realms with misery severe; No more behold pale Famine, scattering death, With cruel ravage desolate the year. The thundering drum, the trumpet's swelling strain, Unheard, shall form the long embattled line: Unheard, the deep foundations of the main Than we who still survive to wake and weep. What though no funeral pomp, no borrow'd tear, Your hour of death to gazing crowds shall tell; Nor weeping friends attend your sable bier, Who sadly listen to the passing-bell; The tutor'd sigh, the vain parade of woe, What though no sculptured pile your name displays, Like those who perish in their country's cause; What though no epic muse in living lays Records your dreadful daring with applause: Full oft the flattering marble bids renown Yet shall remembrance from Oblivion's veil ADDRESS TO MIRANDA. The smiling plains, profusely gay, But ah! Miranda, without thee, I mourn thy absence, charming maid! O soft as love! as honour fair! O come! and to my bleeding heart JOHN OGILVIE. BORN 1733-DIED 1814. JOHN OGILVIE, D.D., a poet of some renown in his day, was the son of one of the ministers of Aberdeen, where he was born in 1733. He was educated at Marischal College, from which afterwards he received the degree of Doctor of Divinity. Having qualified himself as a preacher he was in 1759 appointed minister of the parish of Midmar, in Aberdeenshire, where he continued in the faithful discharge of his pastoral duties for more than half a century. His personal history was only varied by the publication of his numerous and now forgotten poems (the first of which, "The Day of Judgment," appeared in 1759), and an occasional visit to London, where he became acquainted, through his friend and admirer James Boswell, with Dr. Johnson, Churchill, and other literary magnates of the metropolis. Scarcely any of Ogilvie's poems are known even by name to readers of the present day, and he is only remembered by several hymns which are to be found in collections in use in the United States and Great Britain. His biographer remarks that "Ogilvie, with powers far above the common order, did not know how to use them with effect. He was an able man lost. His intellectual wealth and industry were wasted in huge and unhappy speculations. Of all his books, there is not one which, as a whole, can be expected to please the general reader. Noble sentiments, brilliant conceptions, and poetic graces may be culled in profusion from the mass; but there is no one production in which they so predominate, if we except some of his minor pieces, as to induce it to be selected for a happier fate than the rest. Had the same talent which Ogilvie threw away on a number of ob jects been concentrated on one, and that one chosen with judgment and taste, he might have rivalled in popularity the most renowned of his contemporaries." The venerable divine continued his useful parish labours till his death in 1814. In addition to his poems Dr. Ogilvie was the author of several works on philosophy and Christian ethics. REVEALED RELIGION.1 Yet let the muse extend her towering wing, Not idly curious her light glance pervades In that calm hour to meditation due, A range of hills frown'd o'er the chequer'd scene, Crown'd with gay verdure; whence the list'ning ear Thrill'd to the music of the tuneful choirs Remote the deep's low murmur, like the voice What 1 This extract is taken from the beginning of the second book of Ogilvie's principal poetical work, entitled "Providence, an Allegorical Poem, in Three Books," first issued in a handsome illustrated quarto, London, 1764.-ED. The prize of virtue paid them! did thy worth, Such, Tully, was thy fate, and, Brutus, thine! The ghastly head low-rolling in the dust; The tongue, to satiate female frenzy, torn; The bleeding heart, yet reeking, spoke the end Of eloquence and virtue. Scarce a tear Embalm'd their urns, triumphant vice beheld With smiles their exit; and oppression raised Her scourge to punish where the feeling heart Swell'd in soft moisture to the pitying eye. O! wreck'd, and dubious of a life to come! What trophies graced the present! Heav'n withheld From these superior light, left in the maze Terrific frown'd them into nought. Did these, Why o'er soft pity's pallid cheek descends A virtuous few! that mourns them as they fell, The form of moral beauty as it swells HYMN, FROM PSALM CXLVIII. Begin, my soul, the exalted lay, And praise the Almighty's name; Lo! heaven and earth, and seas and skies, In one melodious concert rise To swell the inspiring theme. Ye fields of light, celestial plains, Your Maker's wond'rous power proclaim- Ye angels! catch the thrilling sound! Join, ye loud spheres, the vocal choir; Thou dazzling orb of liquid fire, The mighty chorus aid; Soon as gray evening gilds the plain, Thou moon, protract the melting strain, And praise him in the shade. Thou Heaven of heavens, his vast abode, Whate'er a blooming world contains, Ye dragous, sound his awful name Let every element rejoice: Ye thunders, burst with awful voice To him, ye graceful cedars, bow; Tell, when affrighted nature shook, Ye flocks that haunt the humble vale, Ye insects fluttering on the gale, In mutual concourse rise; Crop the gay rose's vermeil bloom, And waft its spoils, a sweet perfume, In incense to the skies! Wake, all ye mountain tribes, and sing- Harmonious anthems raise To him who shaped your finer mould, Let man, by nobler passions swayed, Ye whom the charms of grandeur please, Fall prostrate at his throne; Ye princes, rulers, all adore— Ye fair, by nature formed to move, WILLIAM J. MICKLE. BORN 1734 - DIED 1788. WILLIAM JULIUS MICKLE, the translator of "Awake, ye west winds, through the lonely dale, The withered rye-grass and the harebell blue, And ever and anon sweet Mulla's plaints renew." In 1771 Mickle issued proposals for printing by subscription a translation of the "Lusiad," by Camoens, to qualify himself for which he studied the Portuguese language. He published the first book as a specimen in 1771, and from the liberal encouragement he received he was induced to resign his situation at the Clarendon Press, and to take up his residence at a farm-house about five miles from Oxford, where he devoted his whole time to his great translation. It was finished in 1775, and published in a quarto volume under the title of "The Lusiad, or the Discovery of India," to which he prefixed an Introduction, containing a “Defence of Commerce and Civilization, in reply to the misrepresentations of Rousseau and other visionary philosophers; a History of the Portuguese Conquests in India; a Life of Camoens; and a Dissertation on the Lusiad, and Observations on Epic Poetry." The work obtained for Mickle a high reputation at home and abroad, and so rapid was its sale that a second edition was soon called for. By the two editions he realized about one thousand guineas. In May, 1779, he accompanied Commodore Johnston as secretary on board the Rodney man-of-war, and sailed with a small squadron to Portugal. He was received on his arrival at Lisbon with great distinction by the countrymen of Camoens, and admitted as a member of the Royal Academy of Portugal. While in Lisbon he wrote his poem of "Almada Hill: an Epistle from Lisbon," published in 1781. On his return with the squadron to England Mickle remained for a time in London as joint agent for the disposal of some valuable prizes taken during the expedition. He had now acquired some means, and in 1783 he married Miss Mary Tomkins, the daughter of the farmer with whom he had resided at Forest Hill while engaged on the "Lusiad," and with the lady obtained considerable wealth. His latter days were spent in ease and affluence, in |