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New to heaven they mount away,
And meet again no more.

All things decay-the forest like the leaf:
Great kingdoms fall; the peopled globe,
Planet-struck, shall pass away;

Heavens with their hosts expire:

But hope's fair visions, and the beams of joy,
Shall cheer my bosom: I will sing
Nature's beauty, nature's birth,
And heroes on the lyre.

Ye Naiads, blue-eyed sisters of the wood!
Who by old oak, or storied stream,
Nightly tread your mystic maze,

And charm the wandering moon.

Beheld by poet's eye; inspire my dreams
With visions, like the landscapes fair
Of heaven's bliss, to dying saints
By guardian angels drawn.

Fount of the forest! in thy poet's lays
Thy waves shall flow; this wreath of flowers,
Gather'd by my Anna's hand,

I ask to bind my brow.

DANISH ODE.

The great, the glorious deed is done!
The foe is fled the field is won!
Prepare the feast; the heroes call;
Let joy, let triumph fill the hall!

The raven claps his sable wings;
The bard his chosen timbrel brings;
Six virgins round, a select choir,
Sing to the music of his lyre.

With mighty ale the goblet crown:
With mighty ale your sorrows drown:
To-day, to mirth and joy we yield;
To-morrow, face the bloody field.

From danger's front, at battle's eve,
Sweet comes the banquet to the brave;
Joy shines with genial beam on all,
The joy that dwells in Odin's hall.

The song bursts living from the lyre,
Like dreams that guardian ghosts inspire:
When mimic shrieks the heroes hear,
And whirl the visionary spear.
Music's the med'cine of the mind;
The cloud of care give to the wind:
Be every brow with garlands bound;
And let the cup of joy go round.

The cloud comes o'er the beam of light;
We're guests that tarry but a night:
In the dark house, together press'd,
The princes and the people rest.

Send round the shell, the feast prolong,
And send away the night in song:
Be blest below, as those above
With Odin and the friends they love.

SWEET FRAGRANT BOWER.

Sweet fragrant bow'r, where first I met
My much-lov'd Anna dear;

I fancy still her form I see,
And think her voice I hear,
Warbling, in gentle accents sweet,
Such sounds as cheer my heart.
Ah! never can their melody

From my rack'd mind depart.

Her charming tongue such pleasure gave,
Such sweets from it did flow,

As charm'd each shepherd to her bow'r,
Where sooth'd was ev'ry woe.
But, ah! these joys flew fleeting past;
Her lovely form is gone

To kindred angels in the sky;
For man too great the loan.

THE WISH.

Gie me not riches over much,
Nor pinching poverty, Jo,

But let Heav'n's blessings still be such
As keep in mid degree, Jo.
Tho' low my cot, an' plain my fare,

Yet will I ne'er complain, Jo:
No, tho' my darg shou'd be fu' sair,
Frae rising sun till e'en, Jo,
Frae rising sun till e'en.

For how can man be better plac'd
Than at his daily toil, Jo.

Or what can be a sweeter feast
Than produce o' his soil, Jo.
If season'd weel wi' exercise,

Health mak's a sweet desert, Jo;
Then spleenish vapour, banished, flies
Far frae his manly heart, Jo.
Far frae his manly heart.

Another blessing I'd implore,
To hae a lovely fair, Jo;

At gloamin', whan my task is o'er,
My happiness to share, Jo.

Owre brecken brae, or thro' the grove,
Or owre the gow'nie green, Jo,
We'd careless stray, an' tell our love
Ilk simmer morn an e'en, Jo.
Ilk simmer morn an e'en.

A friend, too, wad kind Heav'n indulge
Me wi' a boon sae great, Jo,
To whom my heart I could divulge
In ilka little strait, Jo.
Ane wha amid the ills of life,

His kind advice cou'd gie, Jo,
To ward awa' ilk care and strife;
How happy shou'd I be, Jo,
How happy shou'd I be.

THE ADIEU.

Ah! can I behold, love, that heart-rending sigh, The tear that bedims my dear Mary's fond eye? Can I kiss those lips of the coral's bright hue? And speak the sad word, lovely Mary, adieu! Can I view that fair face, that form so divine, Whom once flatt'ring hope whisper'd soon would

be mine?

Can I press to my bosom that heart so true?
And speak the sad word, lovely Mary, adieu!

Can I think on thy smile, when at twilight we met? And thy last killing glance when next meeting was set?

The love-gliding hours, ah! how fleetly they flew! Ne'er thought I, dear Mary, to bid thee adieu! But while this sad bosom can breathe a fond strain, Or while in my mind recollections remain,

With love, my fair maid, shall it breathe still to

you,

Tho' forc'd, lovely Mary, to sigh now-adieu!

ODE TO THE CUCKOO,1

Hail, beauteous stranger of the wood,
Attendant on the spring!
Now Heav'n repairs thy rural seat,
And woods thy welcome sing.

Soon as the daisy decks the green,
Thy certain voice we hear:
Hast thou a star to guide thy path,
Or mark the rolling year?

1 This ode has been characterized by Edmund Burke as "the most beautiful lyric in the language." The original version appeared in 1770 among Bruce's poems. In 1781 Logan included it with some alterations in a collection of his own poems. Readers may judge for

Delightful visitant! with thee

I hail the time of flowers,
When heaven is fill'd with music sweet
Of birds among the bowers.

The school boy wand'ring in the wood
To pull the flowers so gay,
Starts, thy curious voice to hear,
And imitates thy lay.

Soon as the pea puts on the bloom,
Thou fly'st thy vocal vale,

An annual guest in other lands,
Another spring to hail.

Sweet bird! thy bow'r is ever green,

Thy sky is ever clear;

Thou hast no sorrow in thy song,
No winter in thy year!

O could I fly, I'd fly with thee:

We'd make, with social wing, Our annual visit o'er the globe, Companions of the spring.

themselves if his emendations are any advantage to the ode as first published :—

Hail, beauteous stranger of the grove!
Thou messenger of spring!
Now Heaven repairs thy rural seat,
And woods thy welcome sing.

What time the daisy decks the green,
Thy certain voice we hear:
Hast thou a star to guide thy path,
Or mark the rolling year?

Delightful visitant! with thee

I hail the time of flowers,
And hear the sound of music sweet
From birds among the bowers.

The school-boy wandering through the wood,
To pull the primrose gay,

Starts, the new voice of spring to hear,

And imitates thy lay.

What time the pea puts on the bloom,

Thou fliest thy vocal vale,

An annual guest in other lands,

Another spring to hail.

Sweet bird thy bower is ever green,

Thy sky is ever clear;

Thou hast no sorrow in thy song,

No winter in thy year!

O could I fly, I'd fly with thee!
Wed make, with joyful wing,
Our annual visit o'er the globe,
Companions of the spring.

An additional interest cannot but be felt in Bruce's ode if it, as Archbishop Trench thinks, suggested to a much greater poet one of his most lovely lyrics. "It was," he says, a favourite with Wordsworth, and one who listens attentively may catch a faint prelude of his immortal ode addressed to the same bird. "-ED.

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HECTOR MACNEILL.

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BORN 1746-DIED 1818.

HECTOR MACNEILL was born October 22, | returned to his native land in poor health and 1746, at Rosebank, on the Esk, near Roslin; by no means prosperous circumstances. Taking and, to quote his own words, "amidst the mur- up his residence at Stirling, he entered upon mur of streams and the shades of Hawthornden a literary career, by publishing in 1789 "The may be said to have inhaled with life the Harp, a Legendary Tale," which met with but atmosphere of a poet.' He was sent by his little success. During the succeeding ten father, Captain Macneill, to the grammar years he divided his time between Jamaica school at Stirling, then under Dr. David Doig, and Scotland, at the expiration of which to whom in after-life the poet dedicated his period he found a friend in the person of Mr. popular composition "Scotland's Scaith, or the John Graham, a West India planter and former History of Will and Jean," of which 10,000 employer, who, at his death, left the poet an copies were sold in a single month. His annuity of £100 per annum. It was on this father's circumstances being such that he was gentleman's estate of Three-Mile-River that unable to give his son a university education, Macneill wrote "The Pastoral, or Lyric Muse he, at the age of fourteen, was withdrawn from of Scotland." He now took up his abode at his studies, and went to reside at Bristol with Edinburgh, where he was admitted to the Iris cousin, an opulent West India trader, who literary circles of that city, and numbered had noticed the shrewdness of his young name- among his friends James Sibbald, and Mrs. sake, and had engaged to provide for him. Hamilton, authoress of The Cottagers of GlenHe soon after made a trial of sea-life, but burnie. this proving distasteful, he entered the count- The poet being now in more easy circuming-house of a merchant in the island of stances, added to his income by systematic St. Christopher, to whom he had been re-literary efforts. He wrote several novels, and commended by his kinsman. He soon made for a time was the editor of the Scots Magahimself so valuable an assistant, that therezine. In 1801 he published an edition of his was every prospect of his being admitted to a partnership, when the whole tenor of his life was altered by a single imprudent kiss! His employer having admitted him to his house on terms of intimacy, Macneill so far forgot himself as to snatch a kiss from the lips of the merchant's young and beautiful wife, with whom he was seated in the garden. For this indiscretion he was dismissed.

Macneill remained in the West Indies for nearly a quarter of a century, under circumstances less prosperous than those in which he began his career there. He appears to have filled various subordinate positions, and at one period to have been the manager of a sugar plantation in Jamaica, in which capacity he prepared a pamphlet in defence of the system of slavery in the West Indies. It was published in 1788, about which time Macneill

poems in two volumes, which was followed by a second in 1806, and a third in 1812. Although himself possessing

"The vision and the faculty divine,"

Macneill invariably warned all aspirants for poetic fame against embarking in the precarious pursuit of writing poetry as a means of support, or indeed to trusting to authorship of any kind. Writing to a friend in 1813 he says, "Accumulating years and infirmities are beginning to operate very sensibly upon me now, and yearly do I experience their increasing influence. . . . My pen is my chief amusement. Reading soon fatigues and loses its zest, composition never, till over-exertion reminds me of my imprudence." A few years after penning these lines the poet passed away, March 15, 1818, in his seventy-second year.

passed by similar productions of any Scottish poet save Burns alone.

Macneill's reputation rests chiefly upon his poem of "Will and Jean," first published in 1795. Between this production and Alexander An aged man, who in his youth knew MacWilson's "Watty and Meg" it would not per- neill, and frequently heard him sing his own haps be fair to institute a comparison. Our songs during the early years of the present author acknowledged his obligations to the century, described him to the writer as a tall American ornithologist, and availed himself fine-looking old man, of a sallow complexion, of all his own advantages. "The Waes o' fond of dress, with an exceedingly dignified War, or the Upshot o' the History o' Will and manner on ordinary occasions, but at a dinnerJean," issued in 1796, is also a simple and table he would unbend, and become with his pathetic strain, which speedily found its way songs and stories the gayest spirit of the comto the hearts of the people of Scotland. Several pany. He sang the old Jacobite lays of his of Macneill's songs, such as "Saw ye my Wee native land with deep feeling, and although Thing?" "My Boy Tammy," "Come under his voice was somewhat rough, his singing my Plaidie," and his touching ballad of was more admired than that of others possess"Donald and Flora," are well-known favouring more musical voices, but who lacked the ites, and enjoy a popularity perhaps unsur- poet's pathos and spirit.

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Trig her house, and oh! to busk aye
Ilk sweet bairn was a' her pride!
But at this time NEWS and WHISKY
Sprang nae up at ilk roadside.

Luckless was the hour whan Willie,
Hame returning frae the fair
Ow'rtook Tam, a neebor billie,

Sax miles frae their hame and mair.

Simmer's heat had lost its fury;

Calmly smil'd the sober een; Lasses on the bleachfield hurry,

Skelping bare-fit owre the green;

Labour rang wi' laugh and clatter,

Canty hairst was just begun, And on mountain, tree, and water, Glinted saft the setting sun.

Will and Tam, wi' hearts a' lowpin, Markt the hale, but could nae bide; Far frae hame, nae time for stopping,Baith wish'd for their ain fireside.

On they travell'd, warm and drouthy,

Cracking owre the news in town; The mair they crack'd, the mair ilk youth aye Pray'd for drink to wash news down.

Fortune, wha but seldom listens

To poor merit's modest pray'r, And on fools heaps needless blessings, Harken'd to our drouthy pair.

In a houm, whase bonnie burnie

Whimperin row'd its crystal flood, Near the road whar travellers turn aye, Neat and bield a cot-house stood:

White the wa's, wi' roof new theekit, Window broads just painted red: Lown 'mang trees and braes it reekit, Halflins seen and halflins hid.

Up the gavel-end thick spreading
Crap the clasping ivy green,
Back ower, firs the high craigs cleading,
Rais'd a' round a cozy screen.

Down below, a flow'ry meadow

Join'd the burnie's rambling line; Here it was that Howe, the widow, That same day set up her sign. Brattling down the brae, and near its Bottom, Will first marv'ling sees, "Porter, Ale, and British Spirits"

Painted bright between twa trees.

"Dear me, Tam! here's walth for drinking! Wha can this new comer be!""Hout!" quo' Tam, "there's drouth in thinking;

Let's in, Will, and syne we'll sec."

Nae mair time they took to speak or
Think o' ought but reaming jugs,
Till three times in humming liquor,
Ilk lad deeply laid his lugs.

Slocken'd now, refreshed, and talking,

In cam' Meg (weel skill'd to please): "Sirs, ye're surely tir'd wi' walking

Ye maun taste my bread and cheese."
"Thanks," quo' Will, "I canna tarry,
Pick-mirk night is setting in;
Jean, poor thing, 's her lane and eerie;
I maun to the road, and rin."

"Hout!" quo Tam, "what's a' the hurry?
Hame's now scarce a mile o' gate;
Come, sit down, Jean winna weary—
No, I'm sure it's no sae late."

"Will, o'ercome wi' Tam's oration,
Baith fell to and ate their fill:
"Tam," quo' Will, "in mere discretion,
We maun hae the widow's gill."

After ae gill cam' anither

Meg sat cracking 'tween them twa;
Bang! cam' in Mat Smith and's brither,
Geordie Brown and Sandy Shaw.

Neebors wha ne'er thought to meet here,
Now sat down wi' double glee;
Ilka gill grew sweet and sweeter,—
Will gat hame 'tween twa and three.

Jean, poor thing! had lang been greeting;
Will, neist morning, blam'd Tam Lowes:
But ere lang a weekly meeting

Was set up at Maggie Howe's.

PART II.

Maist things hae a sma' beginning. But wha kens how things will end? Weekly clubs are nae great sinning, Gin folk hae enough to spend:

But nae man o' sober thinking

Ere will say that things can thrive, If there's spent in weekly drinking What keeps wife and weans alive. Drink maun aye hac conversation, Ilka social soul allows;

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