claims as a poet. In his humour and feeling he resembles Burns, to whom, as already mentioned, one of his poems was generally attri buted. Of this ballad, "Watty and Meg," Allan Cunningham says: "It has been excelled by none in lively, graphic fidelity of touch; whatever was present to his eye and manifest to his ear, he could paint with a life and a humour which Burns seems alone to excel." Science and poetry are not supposed to be congenial to the same mind, yet in the subject of this notice, as in the case of a much greater man— the author of Faust-we find the two combined in such a high development that the mixture of these supposed opposites is clearly proved to be possible. Charles Robert Leslie, the eminent painter, in 1855 favoured me with many pleasant reminiscences of his gifted Scottish contemporary, and in his Autobiographical Recollections remarks: “Mr. Bradford, the same liberal patron who enabled me to study painting, enabled Wilson to publish the most interesting account of birds, and to illustrate it with the best and swam a river in pursuit of his specimen, which he secured, but caught a cold which soon after caused his death, on the 23d of August, 1813. He was interred with public honours in the Swedish burial-ground, Southwark, Philadelphia. The great lover and delineator of nature sleeps in the quaint old graveyard, by the side of his attached friend Bernard Dahlgren, father of the late Admiral Dahlgren of the United States navy. Some time before Wilson's decease he had expressed a wish that he might be buried "where the birds might sing over his grave." In the year 1841 a memorial tablet was placed in the walls of the house where the poet was born. This, however, was felt to be inadequate. Something more in keeping with the fame and worth of the man was soon after determined upon, and his townsmen erected in October, 1874, in the recently improved portion of the Paisley Abbey burial ground, a noble bronze statue, which, with the granite pedestal, is seventeen feet in height. The figure is full length, and represents Wilson following his favourite ornithological pursuits in the wilderness of the New World. | representations of their forms and colours, that The ninth and last volume of American has ever appeared. Wilson was engaged by Ornithology appeared the year following the Mr. Bradford as tutor to his sons, and as editor poet's death, the letter-press having been of the American edition of Rees' Cyclopædia, written by his friend George Ord; the illustra- while at the same time he was advancing his tions had been all finished under Wilson's Ornithology for publication. I assisted him supervision prior to his decease. In 1825 Mr. to colour some of its first plates. We worked Ord prepared a new edition of the last three from birds which he had shot and stuffed; volumes of the Ornithology, and in 1828 four and I well remember the extreme accuracy of supplementary volumes by Charles Lucien his drawings, and how carefully he had counted Bonaparte, uncle of the late Emperor of the the number of scales on the tiny legs and feet French, were published. The entire work of his subject. He looked like a bird: his was reprinted in four volumes in 1831, and eyes were piercing, dark, and luminous, and issued in Constable's Miscellany, with a life his nose shaped like a beak. He was of a of the author by W. M. Hetherington the spare bony form, very erect in his carriage, poet, subsequently professor of theology in inclining to be tall: and with a light elastic the Free Church College, Glasgow; and the step, he seemed qualified by nature for his year following another edition of Wilson's extraordinary pedestrian achievements." The American Ornithology, with illustrative notes eminent lawyer, Horace Binney, of Philaand a life of the author by Sir William Jar- delphia, who is still living at the age of ninetydine, was published in London in three vol- six, writes to us under date of February 8th, umes. A collective edition of his poems, with | 1873:—“I had no personal acquaintance with an account of his life, was published at Paisley Alexander Wilson the poet, though probably in 1816: another edition, with an extended me- we knew each other by name and sight. I moir of his life and writings, was issued in saw him not unfrequently in the book store of 1857 at Belfast, also in a single 12mo volume. | Samuel Bradford in this city, when the OrniWilson's extraordinary merit as a naturalist thology of Wilson was in course of publication has caused us in a measure to overlook his | -1811 or 1812. His personal appearance was that of a modest, rather retiring man, of good | He was held in great esteem for probity, gentle countenance, not decidedly Scotch, but still manners, and accomplishments in his special with a cast of it, rather more like a New branch of natural science. I possess his great England Congregational clergyman in his black work, as men acquainted with its merits call dress than any other description I can give. it, but am no ornithologist myself." Swear that moment that ye'll lea' her,— That's the way to keep her good." Laughing, sangs, and lasses' skirls Echo'd now out-thro' the roof; "Done!" quo' Pate, and syne his erls Nail'd the Dryster's wauked loof. In the thrang of stories telling, Shaking hauns, and ither cheer, Swith a chap comes on the hallan, "Mungo, is our Watty here?" Maggy's weel kent tongue and hurry In came Watty's scawling wife. "Nasty, gude-for-naething being! O ye snuffy, drucken sow! Bringing wife and weans to ruin, Drinking here wi' sic a crew! "Devil nor your legs were broken, Sic a life nae flesh endures, Toiling like a slave to sloken You, ye dyvor, and your whores. "Rise, ye drucken beast o' Bethel ! Drink's your night and day's desire: Rise, this precious hour! or faith I'll Fling your whiskey i' the fire!" Watty heard her tongue unhallow'd, Fowk frae every door came lamping, Maggy curst them ane and a'; Clappet wi' her hands, and stamping, Lost her bauchles i' the sna'. Hame, at length, she turned the gavel, Kicking stools and chairs about. "Ye'll sit wi' your limmers round you! Hang you, sir! I'll be your death! Little hauds my hands, confound you, But I'll cleave you to the teeth." Watty, wha, 'midst this oration, Ey'd her whiles but durstna speak, Sat like patient Resignation, Trem'ling by the ingle cheek. Sad his wee drap brose he sippet, Maggy's tongue gaed like a bell, Quietly to his bed he slippet, Sighing aften to himsel': "Nane are free frae some vexation, A' night lang he rowt and gaunted, Sleep or rest he cou'dna' tak; Maggy aft wi' horror haunted, Mum'ling started at his back. Soon as e'er the morning peepit, Up raise Watty, waefu' chiel, Kist his weanies, while they sleepet, Wauken'd Meg, and sought farewell. "Farewell, Meg!-and, O! may Heav'n "Happy cou'd I been beside you, Vext and sighing, late and air: Farewell, Meg! I've sworn to lea' thee, So thou'll never see me mair." Meg, a' sabbing, sae to lose him, Sic a change had never wist, Held his hand close to her bosom, While her heart was like to burst. "O my Watty, will ye lea' me, Frien'less, helpless, to despair! "Ay! ye've aft said that, and broken Then poor Maggy's tears and clamour "If ance mair I cou'd by writing Lea' the sogers and stay still, "Then," quo' Watty, "mind, be honest; "Marget Howe, this hour ye solemn While life warms your heart and blood. "That ye'll ne'er in Mungo's seek me Ne'er put drucken to my name— Never out at e'ening steek me- Never gloom when I come hame. "That ye'll ne'er, like Bessy Miller, Kick my shins or rug my hair— Lastly, I'm to keep the siller. This upon your saul you swear?" "O-h!" quo' Meg; "Aweel," quo' Watty, Maggy syne, because he prest her, Through many a lone cottage and farm-house I steered, Took their money, and off with my budget I sheered: The road I explored out without form or rule, Still asking the nearest to old Auchtertool. A clown I accosted, inquiring the road, He stared like an idiot, then roared out "Gude G-d, Gin ye're gaun there for quarters ye're surely a fool, For there's nought but starvation in old Auchtertool." Unminding his nonsense, my march I pursued, Till I came to a hill-top, where joyful I viewed, Surrounded with mountains, and many a white pool, The small smoky village of old Auchtertool. At length I arrived at the edge of the town, And I hugged myself safe now in old Auchtertool. An inn I inquired out, a lodging desired, To his mansion I scampered, and rapt at the door; And left me all friendless in old Auchtertool. Deprived of all shelter, through darkness I trod, Till I came to a ruined old house by the road; Here the night I will spend, and, inspired by the owl, I'll send up some prayers for old Auchtertool. AUCHTERTOOL. From the village of Lessly, with a head full of glee, And a pack on my shoulders, I rambled out free; Resolved that same evening, as Luna was full, To lodge ten miles distant, in old Auchtertool. MATILDA. Ye dark rugged rocks, that recline o'er the deep, For distant, alas! from my dear native shores, the merciless ocean, that roars Between my Matilda and me. THE SCHOOLMASTER. Of all professions that this world has known, How blest were the times when together we stray'd, From clowns and cobblers upwards to the throne; While Phoebe shone silent above; Or leaned by the border of Cartha's green side, Save Cartha's hoarse brawling conveyed by the That soothed us to love and to joy. If haply some youth had his passion exprest, While, sighing, I stole from the place. For where is the eye that could view her alone, From the great architects of Greece and Rome, (If skilled to teach and diligent to rule) Thou moon! that now brightens those regions Expands its wings, and gives it powers for flight, above, How oft hast thou witness'd my bliss, But now from the dear, from the tenderest maid, And oft, while drear Midnight assembles he shades In vain to the town I retreat for relief; In vain to the groves I complain; Till earth's remotest bounds, and heaven's bright train He trace, weigh, measure, picture and explain. If such his toils, sure honour and regard, Belles, coxcombs and uproar, can ne'er soothe His faults enlarge-his merits disappear. And solitude nurses my pain. If mild-"Our lazy master loves his ease, He drives the children stupid with his birch. Still absent from her whom my bosom loves best, If rigid-"He's a stern hard-hearted wretch, E'en that is given him on the quarter-day, Ye dark rugged rocks, that recline o'er the deep, And dear the little that he gets is gained; Just Heaven! who knows the unremitting care |