What They'll Never Tell You About the Music Business, Revised and Updated Editio: The Myths, the Secrets, the Lies (And a Few Truths)Potter/TenSpeed/Harmony, 23 հնս, 2010 թ. - 352 էջ Bad news: The music business is packed with hidden agendas. Good news: There’s one indispensable guide that helps songwriters, musicians, executives, lawyers, and managers understand the music business and travel its shark-infested waters safely and confidently. What They’ll Never Tell You About the Music Business sold more than 20,000 copies in its first edition. This new, fully revised edition presents even more priceless insider information, updated for today’s music scene, plus clear explanations and advice on the new transparency in agreements, the impact of agent-artist agreements, new webcasting opportunities, changes in copyright law, royalty limits, and all the other developments in law and technology, plus advice for songwriters, A&R people, and artists, and much, much more. Packed with real-world ideas and tips, What They’ll Never Tell You About the Music Business, Revised and Updated is the must-have guide for creative types and business types—everyone who works in the music industry. “Intelligent and accessible.” —David Geffen From the Hardcover edition. |
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InternetSpecific Offerings | 12 |
Payment on Less Than 100 of Records Sold | 26 |
Lost or Misplaced Royalties | 39 |
Personal Management The Whys Wherefores and Watch Outs | 49 |
Keep My Music AvailableAt All Costs | 55 |
Paying Your Manager | 62 |
Breach of Contract in ArtistManager Agreements | 72 |
Should You Do Business As or Form a Partnership? | 78 |
Music Publishing The Odyssey of the Song | 190 |
Mechanical Royalty Rates Outside of the United States | 197 |
Foreign Taxes | 203 |
Cowriters Who Are Band Members | 209 |
Why Bother Doing It Yourself? | 218 |
Internet Entrepreneurship Doing It Yourself | 224 |
Instantaneous Dissemination of Live Performances | 230 |
Which Category | 236 |
Resisting the Keep Em Poor Philosophy | 84 |
When Your Job Is More than a | 93 |
Termination | 99 |
Release and Settlement | 105 |
Mail | 111 |
Record Producers Are They as Sharp as Their Points? | 113 |
The Producer as Author of the Sound Recording | 122 |
The Record Contract | 128 |
Television Campaigns | 134 |
The Beginning of the End? | 140 |
Merchandising Your Band Your Brand | 160 |
Retail Merchandising | 169 |
Coupling | 175 |
The Flow of Money | 181 |
A Contract Issue | 188 |
Urban Music The Beat Goes | 242 |
Business Management and the Management of Business | 248 |
Spirituality | 257 |
Special Considerations | 265 |
Termination of Grants of Copyrights For Every End a Beginning | 273 |
Compliance With Copyright Laws Hints for the Corporate Counsel | 279 |
Rights Management | 285 |
Evaluating Data | 293 |
Copyright Issues A Sampler | 300 |
The Impact of the Internet on Recording and Publishing Agreements | 306 |
The Fairness in Music Licensing Act | 312 |
The Clearance Nightmare | 321 |
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Common terms and phrases
able actually administrating advance agreement album amount apply artist attorney audit band career catalogue charge claim classical collect compositions concerned contract copy corporation costs countries course created creative deal distribution downloads earnings effect employee established example expenses fact fees Harry Fox hip-hop income industry interest Internet investment issue label lawyers less license limited live major manager means mechanical merchandise million music publishers negotiating never noted offered once original owners paid particular party performing period person possible producer promotion protection purchaser radio reason receive record company registered representatives require responsible result royalties sell share signed societies song songwriter sound success term termination things tour United usually writer