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PREFACE

THE first article in this volume is reprinted from The Contemporary Review; the rest of the volume. has been hitherto unpublished. The Puritan writers with whom I deal are such as to render the title Puritan and Anglican" not inexact, although many of the Puritan party were loyal members of the Anglican Communion.

In choosing my subjects I have been influenced by two things: first, I have spoken only of writers with whom I have dwelt long and intimately; and secondly, among such writers I have spoken only of those who to speak through some personal interest which I feel in the men or their work. Hence without scruple or regret I omit many great names, being here content to indulge my own likings.

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I have desired to remain close to my subjects. In many passages, for example, of what I have written on Herbert and Vaughan, it is Herbert and Vaughan who are in fact the speakers; but I did not think it necessary to encumber my pages with a crowd of references to scattered poems from which their thoughts and phrases have been collected.

I write not as a controversialist but as a student of literature. Literature, however, and especially what is most valuable in seventeenth-century literature, cannot be studied without reference to the history of religion. All these writers, except Hooker, belong to the seventeenth century; and the influence of Hooker, who died in 1600, was in great measure posthumous.

CONTENTS

I.

PURITANISM AND ENGLISH LITERATURE

Sources of the greatness of Elizabethan literature-Decline of
the drama-Art and politics--Was the work of the Renaissance
interrupted?-- Separation of individual religious ife and national
life-The Catholic and the Puritan religious spirit-Difficulty in
Puritanism for art-The sensuous medium-Baxter's testimony
-Dominant idea of Puritanism-Its cardinal error -How the
invisible is embodied by Puritanism-Hebrew literature supplies
an imaginative medium-Schoolmen of the Reformation-The
fabric of doctrine-Morals and casuistry-The Puritan gentle-
man-His culture-Inwardness balanced by public duty-Body
of inspiring ideas-Co-operancy with God-Hortatory literature
-Moral restraint and art--Popular sympathies.

II.

PAGE

1

SIR THOMAS BROWNE

His unique character in his own age-Connection with the
scientific, movement-Whitefoot's reminiscences-Browne in his
family-His sons Edward and Tom-" Religio Medici "-Its plan
-Feeling for ceremony-His heresies-His mysticism-His
view of nature-Final causes-Providence-Angels and demons
-Scale of being-Charity-Love of woman-Music-Wonder
in common things-" Christian morals" " Garden of Cyrus "–
"Letter to a friend"-" Hydriotaphia "-Coleridge's criticism
--Concluding section-Browne's gift to his age.

RICHARD HOOKER

III.

Belongs to both Renaissance and Reformation-Walton's art
as biographer-Hooker's peaceable spirit -His conduct of con-
troversy-Personal traits-Marriage-Hooker and Travers-
"Ecclesiastical Polity," state of the text-Historical character

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of the English Church-Puritanism dogmatic and not historical
-Hooker's comprehensive grasp of truth-The Puritan position
and that of Hooker-First Book of "Ecclesiastical Polity "-The
reign of law-Law of man's nature-Human society under law
-Laws regulating supernatural duties-Reason and revelation
-Positive laws of two kinds-Which are permanent and which
transitory-Hooker's originality-Scripture and reason-Human
authority-Conception of the Church-Episcopacy-The fifth
Book--Tolerance and its limits-Cautions to rash reformers.

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