Female Mourning in Medieval and Renaissance English Drama: From the Raising of Lazarus to King LearThe author looks at how the spectral resurrections of classical Marian pity in the plays of Francis Beaumont, John Fletcher, Thomas Kyd, William Shakespeare and John Webster help to work out the cultural trauma of the Reformation. |
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Female Mourning and Tragedy in Medieval English Drama | 31 |
Maternal Mourning and Tragedy in the Nativity and Passion Plays | 55 |
Residual Lament in the Resurrection Plays | 77 |
Deranging Female Lament in Renaissance Tragedy | 101 |
Constance and the Claims of Passion | 119 |
Mourning and Communal Memory in Shakespeares Richard III | 135 |
Monstrous Mourning Women in Kyd Shakespeare and Webster | 155 |
The Gendered Poetics of Tragedy in Shakespeares Hamlet | 171 |
Inverting the Pietà in Shakespeares King Lear | 201 |
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action appears argues audience become believe body burial Catholic Chester Christ Christian church compassion Constance continued contrast cries cultural curses cycle dead death drama early modern echoes embody emotional England English eschatology excessive expression faith female female mourning final funeral grief grieving Hamlet heart human husband Jesus John King Lady lament Lazarus Lear lines living lord loss Magdalene's Mary Magdalene Mary's meaning medieval medieval English memory mothers mourner mourning N-Town nature notes observes once opening Ophelia Passion past performance Peter play points political practice prayers present Press procession Queen Reformation Renaissance response Resurrection revenge Richard ritual role scene seems sense sermon Shakespeare's shows sisters social sorrow soul stage Studies suffering suggests tears tells thou tomb Towneley tradition tragedy tragic turn University Virgin voice wailing weeping widow woman women York þat
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Էջ 223 - The Book of the Common Prayer and Administration of the Sacraments, and other Rites and Ceremonies of the Church, after the use of the Church of England.