On the Structuring of Sanskrit Drama: Structure of Drama in Bharata and Aristotle

accepted according action activity actors aesthetic Appendix I/II Aristotle Aristotle's aspect Attainment audience beginning Bharata bhāvas Book called catharsis Chapter characters concept concerns context Criticism Daityas dance demons describe dramatic performance edited effect elements emotions experience explained feelings forms function Gestures Ghosh gives gods Golden Greek Greek tragedy Hardison hero human Ibid idea imitation implied important Indian intellection interpretation kinds knowledge known literature London matter means mind nature Nirgita object performance person play pleasure plot poet Poetics poetry possible present principle problem production Published puts Quoted rasa theory reality reason refer regarded relate Representation response result sandhis Sanskrit drama schools Sentiments Shakespeare similar situation spectator stage structure supposed term things tragedy tragic translation unity University various Verse vibhāvas Western whole writer इति तथा तु हि