On the Structuring of Sanskrit Drama: Structure of Drama in Bharata and AristotleSaraswati Pustak Bhandar, 1984 - 171 էջ |
From inside the book
Արդյունքներ 13–ի 1-ից 3-ը:
Էջ 22
... feeling , which carries a man beyond his personal self , that the dis- tinctive tragic pleasure resides . Pity and ... feelings are SO result is a noble Though catharsis specifically refers to ' tragedy ' , and 22 On the Structuring of 22.
... feeling , which carries a man beyond his personal self , that the dis- tinctive tragic pleasure resides . Pity and ... feelings are SO result is a noble Though catharsis specifically refers to ' tragedy ' , and 22 On the Structuring of 22.
Էջ 36
... feelings experienced by the actor , those experienced by the spectators , those presented as undergone by characters in the play , and finally the feeling that shines through the play itself - the vital feeling of the piece . This last ...
... feelings experienced by the actor , those experienced by the spectators , those presented as undergone by characters in the play , and finally the feeling that shines through the play itself - the vital feeling of the piece . This last ...
Էջ 58
... feelings , inhering for the writer in particular words or phrases or images , may be added to compose the final result . Or great poetry may be made without the direct use of any emotion whatever composed out of feelings so'ely.29 Eliot ...
... feelings , inhering for the writer in particular words or phrases or images , may be added to compose the final result . Or great poetry may be made without the direct use of any emotion whatever composed out of feelings so'ely.29 Eliot ...
Common terms and phrases
accepted according action activity actors aesthetic Appendix I/II Aristotle Aristotle's aspect Attainment audience beginning Bharata bhāvas Book called catharsis Chapter characters concept concerns context Criticism Daityas dance demons describe dramatic performance edited effect elements emotions experience explained feelings forms function Gestures Ghosh gives gods Golden Greek Greek tragedy Hardison hero human Ibid idea imitation implied important Indian intellection interpretation kinds knowledge known literature London matter means mind nature Nirgita object performance person play pleasure plot poet Poetics poetry possible present principle problem production Published puts Quoted rasa theory reality reason refer regarded relate Representation response result sandhis Sanskrit drama schools Sentiments Shakespeare similar situation spectator stage structure supposed term things tragedy tragic translation unity University various Verse vibhāvas Western whole writer इति तथा तु हि