had ever reached her home. After pining in agony for years in her native Wales, she had been drawn by an irresistible impulse to take up her abode in the sea-port from which she had seen her beloved child depart, and to gaze daily on the devouring waters in which she believed her to be entombed. The following lines we think are pathetic. "And now that seven long years are flown, She starts to hear the city bell; So toll'd it when they wept farewell! She thinks the self-same smoke and cloud The grove of masts is standing there Unchanged, with all their ensigns fair; The same, the stir, the tumult, and the hum, As from the city to the shore they come." p. 157, 158. As she is lingering one sunny day on the beach, a shout is raised for the approach of a long expected vessel; and multitudes hurry out to meet their returning friends and relations. The unhappy mother flies, sick at heart, from the joyful scene of con gratulations; but strange murmurs pursue her in her retreat. "Dark words she hears among the crowd, Of a ship that hath on board Three christian souls, who on the coast And they are speaking of a child, Who looks more beautifully wild Than pictured fairy in Arabian tale; She turns in breathless impatience, and sees the sailors rushing eagerly to the embraces of their wives and children-but "-No sailor, he, so fondly pressing Her eyes, her brow, her bosom kissing, How fair that creature by his side! The mother of that fairy child. Silent and still the sailors stand, To see the meeting strange that now befel. And o'er their eyes they draw the sun-burnt hand, 381 To hide the tears that grace their cheek so well." p. 167, 168. They then all retire to the romantic shades of their native Wales; and the piece concludes with another apostrophe to that fairy child, who seems to have chiefly possessed the raised imagination of the author. "O, happy parents of so sweet a child, When fear and sorrow mingled with your love, Th' angelic infant sang, at times her voice, That seem'd to make even lifeless things rejoice, Almost too sad to hear; And when she chaunts her evening-hymn, With many a gushing tear. Each day she seems to them more bright That plays and dances o'er the shadowy earth! It fadeth not in gloom or storm, For nature charter'd that aërial form In yonder fair Isle when she bless'd her birth! The Isle of Palms!-whose forests tower again, Darkening with solemn shade the face of heaven! Now far away they like the clouds are driven, And as the passing night-wind dies my strain!" p. 178, 179. We are rather unwilling to subjoin any remarks on a poem, of which, even from the slight account we have given of it, we are aware that the opinion of different readers will be so different. To those who delight in wit, sarcasm, and antithesis, the greater part of it will appear mere raving and absurdity;-to such as have an appetite chiefly for crowded incidents and complicated adventures, it will seem diffuse and empty;-and even by those who seek in poetry for the delineation of human feelings and affections, it will frequently be felt as too ornate and ostentatious. The truth is, that it has by far too much of the dreaminess and intoxication of the fancy about it, and is by far too much expanded; and though it will afford great delight to those who are most capable and most worthy of being delighted, there are none whom it will not sometimes dazzle with its glare, and sometimes weary with its repetitions. The next poem in the volume is perhaps of a still more hazardous description. It is entitled The Angler's Tent;' and fills little less than thirty pages with the description of an afternoon's visit which the author had the pleasure of receiving from the simple inhabitants around Wast-Water, when he and Mr. Wordsworth and some other friends had pitched their tent on the banks of that sequestered lake, one beautiful Sunday, in the course of a fishing excursion among the mountains. It is one of the boldest experiments we have lately met with, of the possibility of maintaining the interest of a long poem without any extraordinary incident, or any systematic discussion: and, for our own parts, we are inclined to think that it is a successful one. There are few things, at least, which we have lately read, that have pleased or engaged us more than the picture of simple innocence and artless delight which is here drawn, with a truth and modesty of colouring far more attractive, in our apprehension, than the visionary splendours of the Isle of Palms. The novelty of the white tent, gleaming like an evening cloud by the edge of the still waters, had attracted the curiosity of the rustic worshippers, it seems, as they left the little chapel in the dell; and they came in successive groupes, by land and by water, to gaze on the splendid apparition. The kind-hearted anglers received them with all the gentleness and hospitality of Isaac Walton himself; and we sincerely compassionate the reader who is not both touched and soothed with the following amiable representation. "And thus our tent a joyous scene became, Where loving hearts from distant vales did meet As at some rural festival, and greet The gray-hair'd men with deep attention heard, While round our feet the playful children stirr❜d Listening with looks where wonder breathed a glowing grace. On varnish'd rod, with joints that shone like gold, And silken line on glittering reel enroll'd, To infant anglers a most wondrous sight! And wear them in their hats like wreaths of valley flowers!" The following picture of the mountain damsels is equally engaging. "Well did the roses blooming on their cheek, And eyes of laughing light, that glisten'd fair Beneath the artless ringlets of their hair, Each maidens's health and purity bespeak. To hide the sudden throb that beat within her breast." p. 205, 206. The delighted guests depart by moonlight; and while they are climbing the shadowy hills, their entertainers raise a splendid bonfire to light them on their way, and hear new clamours of acclamation ring round all the awakened echoes. The following are some of the concluding reflections, which not only do great honour to Mr. Wilson's powers of composition, but show him to be habitually familiar with thoughts and affections, far more to be envied than the fading renown that genius has ever won for her votaries. "Yet, though the strangers and their tent have past And some will jibe the maid who was so bold Then they unto each other will recal And give their kind opinion of us all. Of their own cottage-hearth! O, fair subduing sight!" p. 215, 216. The same tenderness of thought and warmth of imagination are visible in the lines addressed to a Sleeping Child; from which we shall make a few detached extracts. It begins, |