As if we had them not. Spirits are not finely touch'd Both thanks and use. But I do bend my speech To one that can in my part me advertise. In our remove be thou at full ourself. Mortality and mercy in Vienna Live in thy tongue and heart: Old Escalus, Take thy commission. Shakes. Meas. for Meas. ARGUING. Arguing requires a cool, sedate, attentive aspect, and a clear, slow, and emphatical accent, with much demonstration by the hand; it assumes somewhat of authority, as if fully convinced of the truth of what it pleads for, and sometimes rises to great vehemence and energy of assertion; the voice clear, bold, distinct, and firm, as in confidence. Reasoning with deference to others. Ay, but yet Let us be keen, and rather cut a little, Than fall and bruise to death. Alas! this gentleman, Let but your honour know, (whom I believe To be most straight in virtue,) That in the working of your own affections, Had time coher'd with place, or place with wishing, Could have attain'd th' effect of your own purpose, Reasoning warmly. By my white beard, Shakes. Meas. for Meas. You offer him, if this be so, a wrong, Something unfilial: Reason, my son Should choose himself a wife; but as good reason, But fair posterity) should hold some counsel Ibid. Winter's Tale. Argument asserting right to Property. As I was banish'd, I was banish'd Hereford; ADMONITION. Shakes. Rich. II. Admonition assumes a grave air, bordering on severity; the head is sometimes shaken at the person we admonish, as if we felt for the miseries he was likely to bring upon himself; the right hand is directed to the person spoken to, and the fore-finger, projected from the rest, seems to point out more particularly the danger we give warning of; the voice assumes a low tone, bordering on a monotone, with a mixture of severity and sympathy, of pity and reproach. Admonition to execute Laws strictly. 'Tis one thing to be tempted, Escalus, That thieves do pass on thieves? 'tis very pregnant, Shakesp. Meas. for Meas. Admonition to beware of complaisance in Friendship. Ever note, Lucilius, When love begins to sicken and decay, It useth an enforced ceremony. There are no tricks in plain and simple faith: Admonition to act justly. Ibid. Jul. Cas. Remember March, the ides of March remember! Ibid. Jul. Cas AUTHORITY. Authority opens the countenance, but draws down the eye-brows a little, so as to give the look an air of gravity. Authortity forbidding Combatants to fight. Let them lay by their helmets and their spears, And list what with our council we have done. And for our eyes do hate the dire aspect Of civil wounds, plough'd up with neighbour's swords, You, cousin Hereford, upon pain of death, Till twice five summers have enrich'd our fields, Shall not regreet our fair dominions, But tread the stranger paths of banishment. Ibid. Richard. II. COMMANDING. Commanding requires an air a little more peremptory, with a look a little severe, or stern. The hand is held out, and moved towards the person to whom the order is given, with the palm upwards, and sometimes it is accompanied by a nod of the head to the person commanded. If the command be absolute, and to a person unwilling to obey, the right hand is extended and projected forcibly towards the person commanded. Commanding Combatants to fight. We were not born to sue, but to command; There shall your swords and lances arbitrate Lord Marshal, command our officers at arms, Be ready to direct these home alarms. Shakes. Rich. II. FORBIDDING. Forbidding draws the head backwards, and push és the arm and hand forwards, with the palm downwards, as if going to lay it upon the person, and hold him down immoveable, that he may not do what is forbidden him: the countenance has the air of aversion, the voice is harsh, and the manner peremptory. Forbidding to break Orders. On pain of death, no person be so bold, AFFIRMING. Ibid. Affirming, with a judicial oath, is expressed by lifting the right hand and eyes towards heaven; or if conscience is appealed to, by laying the right hand open upon the breast, exactly upon the heart; the voice low and solemn, the words slow and deliberate: but when the affirmation is mixed with rage or resentment, the voice is more open and loud, the words quicker, and the countenance has all the confidence of strong and peremptory assertion. Affirming an Accusation. My lord Aumerle, I know your daring tongue In that dead time when Glo'ster's death was plotted, |