Elements of Elocution: In which the Principles of Reading and Speaking are Investigated ... with Directions for Strengthening and Modulating the Voice ... to which is Added a Complete System of the Passions, Showing how They Affect the Countenance, Tone of Voice, and Gesture of the Body : Exemplified by a Copious Selection of the Most Striking Passages of Shakespeare : the Whole Illustrated by Copper-plates Explaining the Nature of Accent, Emphasis, Inflection, and CadenceD. Mallory & Company, 1810 - 379 էջ |
From inside the book
Արդյունքներ 71–ի 1-ից 5-ը:
Էջ 55
... passage , we should find a pause much more admissible at mind than in any other part , as here a clause intervenes between the verbs is and suffer ; and two verbs seem more separable than a verb and its objective case . But when the ...
... passage , we should find a pause much more admissible at mind than in any other part , as here a clause intervenes between the verbs is and suffer ; and two verbs seem more separable than a verb and its objective case . But when the ...
Էջ 67
... passage , much of the force and precision of the contrast between discretion and cunning would be lost without a sensible pause after each . The necessity of distinguishing opposite or con- trasted parts in a sentence , will sometimes ...
... passage , much of the force and precision of the contrast between discretion and cunning would be lost without a sensible pause after each . The necessity of distinguishing opposite or con- trasted parts in a sentence , will sometimes ...
Էջ 74
... passage , we run the second line into the third , by suspending the voice at intricate in the rising inflection , and dropping it at errors in the falling , we find a very im- proper meaning conveyed ; and if , in recovering our- selves ...
... passage , we run the second line into the third , by suspending the voice at intricate in the rising inflection , and dropping it at errors in the falling , we find a very im- proper meaning conveyed ; and if , in recovering our- selves ...
Էջ 80
... passage of Mr. Addison in the Spectator , by read- ing it so as to place the rising inflection , or that in- flection commonly marked by a comma , on every particular of the series : The descriptive part of this allegory is likewise ...
... passage of Mr. Addison in the Spectator , by read- ing it so as to place the rising inflection , or that in- flection commonly marked by a comma , on every particular of the series : The descriptive part of this allegory is likewise ...
Էջ 81
... passage questionably the true one , as it throws a kind of em- phasis on each member which forms a beautiful climax , entirely lost in the common mode of pro- nouncing them : and , to omit no method that may tend to convey an idea of ...
... passage questionably the true one , as it throws a kind of em- phasis on each member which forms a beautiful climax , entirely lost in the common mode of pro- nouncing them : and , to omit no method that may tend to convey an idea of ...
Այլ խմբագրություններ - View all
Elements of Elocution: In which the Principles of Reading and Speaking are ... John Walker Ամբողջությամբ դիտվող - 1815 |
Common terms and phrases
adjective admit adopt the falling agreeable antithesis antithetick object cadence Cæsar cæsura Cicero comma commencing connected convey couplet Demosthenes different inflections distinction distinguish emphasis emphatick words Euboea example expressed eyes Fair Penitent falling inflection flection following sentence force former give harmony hath heaven Ibid idea inflection of voice interrogative words Julius Cæsar kind last member last word latter loose sentence lower tone marked meaning mind modifying words monotone musick nature necessarily necessary nounced observed Oroonoko Othello parenthesis passage passion perceive perfect sense period phasis pleasure preceding pronounced pronunciation prose publick punctuation question reader reading require the falling require the rising rising inflection Rule seems semicolon shew short pause single words slide soul sound speaker speaking Spect Spectator stress substantive syllable taste tence thee thing thou tion tone of voice unaccented variety verb verse whole Winter's Tale
Սիրված հատվածներ
Էջ 324 - The spinsters and the knitters in the sun, And the free maids that weave their thread with bones, Do use to chant it ; it is silly sooth, And dallies with the innocence of love, Like the old age.
Էջ 338 - Seems, madam ! nay, it is ; I know not seems. 'Tis not alone my inky cloak, good mother, Nor customary suits of solemn black...
Էջ 324 - If music be the food of love, play on; Give me excess of it: that surfeiting, The appetite may sicken, and so die.
Էջ 324 - I'd have you do it ever: when you sing, I'd have you buy and sell so; so give alms; Pray so ; and, for the ordering your affairs, To sing them too : When you do dance, I wish you A wave o...
Էջ 266 - OF Man's First Disobedience, and the Fruit Of that Forbidden Tree, whose mortal taste Brought Death into the World, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful Seat, Sing Heav'nly Muse, that on the secret top Of Oreb, or of Sinai, didst inspire That Shepherd, who first taught the chosen Seed, In the Beginning how the Heav'ns and Earth Rose out of Chaos...
Էջ 351 - I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit...
Էջ 337 - I hold the world but as the world, Gratiano ; A stage where every man must play a part, And mine a sad one.
Էջ 295 - I had a thing to say, — but let it go : The sun is in the heaven, and the proud day, Attended with the pleasures of the world, Is all too wanton, and too full of gawds, To give me audience : — If the midnight bell Did, with his iron tongue and brazen mouth, Sound on into the drowsy race of night...
Էջ 362 - Julius bleed for justice' sake? What villain touch'd his body, that did stab, And not for justice? What, shall one of us, That struck the foremost man of all this world, But for supporting robbers; shall we now Contaminate our fingers with base bribes? And sell the mighty space of our large...
Էջ 338 - My mother had a maid call'd Barbara : She was in love ; and he she lov'd prov'd mad, And did forsake her : she had a song of " willow ;" An old thing 'twas, but it express'd her fortune, And she died singing it...