Italian Cinema: From Neorealism to the PresentF. Ungar Publishing Company, 1983 - 440 էջ |
Բովանդակություն
Exploring the Boundaries of Neorealism | 74 |
Rossellini in Transition Early | 103 |
Commedia allitaliana Neorealisms | 142 |
Հեղինակային իրավունք | |
9 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
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actors American Antonioni artistic audience Bertolucci bibliography Bicycle Thief Bologna Bondanella Cabiria camera Cappelli Carlo characters Cinecittà cinema italiano comedy comic commedia all'italiana completely contemporary critical CRUZ The University culture death decade director documentary employed episode Ettore Scola eventually Fascist father Federico Fellini film's flashback genre Guido Hollywood human ideological illusion intellectual Italian cinema Italian film Italian neorealism Italy Italy's Lattuada Leone's Lina Wertmüller Luchino Visconti Marcello Mario Milan Modern Art Monicelli moves murder Museum of Modern narrative neorealism neorealist Paisan peasant period Photo courtesy photographed Pier Paolo Pasolini plays plot political postwar produced protagonists realism reality reflects Roberto Roberto Rossellini role Rome Rossellini scene Scola script sequence Sergio Leone sexual shot Sica Sica's Sicilian social sound track story storyline Strada style Taviani television theme traditional trilogy typical Umberto underline viewer vision Vitelloni Vittorio Wertmüller Western White Sheik young