Shakespeare Performed: Essays in Honor of R.A. FoakesUniversity of Delaware Press, 2000 - 315 էջ Many of the contributors to this collection, including E. A. J. Honigmann, M. M. Mahood, Jonathan Bate, and Stanley Wells (among others), have been centrally involved in examining, promoting, and sometimes questioning the critical dominance of the stable Shakespeare text, particularly as a result of performance. The essays range from the traditional poetical and theater history inquiries through bibliographical examinations and hermeneutical interpretations. |
From inside the book
Արդյունքներ 22–ի 1-ից 5-ը:
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... beginnings . The last records the strength and power of Almighty God , and of the immor- tal souls , set apart from all else.3 So begins the first chapter of Jean Bodin's Method for the easy Compre- hension of History , written in 1565 ...
... beginnings . The last records the strength and power of Almighty God , and of the immor- tal souls , set apart from all else.3 So begins the first chapter of Jean Bodin's Method for the easy Compre- hension of History , written in 1565 ...
Էջ 20
... beginning will be to look at the occasions on which Shakespeare uses the word " philosopher . " These are surprisingly few : there are just ten occurrences in the concordance . In The Merchant of Venice ( 1.2.42 ) , one of Portia's ...
... beginning will be to look at the occasions on which Shakespeare uses the word " philosopher . " These are surprisingly few : there are just ten occurrences in the concordance . In The Merchant of Venice ( 1.2.42 ) , one of Portia's ...
Էջ 29
... beginning of the play , but Cordelia — the Fool's double — has to learn to lie . At the beginning , she can only tell the truth ( hence her banishment ) , but later she lies beautifully and generously when Lear says that she has cause ...
... beginning of the play , but Cordelia — the Fool's double — has to learn to lie . At the beginning , she can only tell the truth ( hence her banishment ) , but later she lies beautifully and generously when Lear says that she has cause ...
Էջ 39
Ներեցեք, այս էջի պարունակությունն արգելված է:.
Ներեցեք, այս էջի պարունակությունն արգելված է:.
Էջ 40
Ներեցեք, այս էջի պարունակությունն արգելված է:.
Ներեցեք, այս էջի պարունակությունն արգելված է:.
Բովանդակություն
17 | |
Shakespeares Sense of Direction | 33 |
The Lord Chamberlains Mens Tour of 1597 | 56 |
No Quarrel but a slight Contention | 72 |
Julius Caesar and Sejanus | 88 |
Three Detachable Scenes | 108 |
Representing Falsehood | 122 |
The First Performances of Shakespeares Sonnets | 131 |
Aspects of King Lear in Performance | 198 |
Sleeves Gloves and Helens Placket | 216 |
Australian Shakespeare | 240 |
Cutting Women Down to Size in the Olivier and Loncraine Films of Richard III | 260 |
Film Editing | 273 |
Afterword | 299 |
306 | |
Notes on Contributors | 308 |
Writing about Shakespeares Plays in Performance | 151 |
Measure for Measure at the Old Vic in 195758 | 164 |
The Performance of Text in the Royal National Theatres 1997 Production of King Lear | 180 |
Common terms and phrases
action actors Andrew Gurr Angelo appear Arden argued audience Australian Ben Jonson Branagh's Cambridge University Press Cassius Chamberlain's character comedy conflated costume Cressida critics director door dramatic Duke Edgar edition editors Edmund effect Elizabethan English entrance entry essay exits Eyre Eyre's father Foakes Folio text Gloucester Hamlet Helen Henry Henry VI interpretation Isabella John Jonathan Bate Jonson Juliet Julius Caesar King Lear language Lear's lines Loncraine film London lord Lord Chamberlain's Men Macbeth Marlborough Measure for Measure modern Olivier Ophelia Oxford Pembroke performance Peter Peter Davison play's Players Poet political production Quarto and Folio Queen R. A. Foakes reading Reg Foakes Richard Richard III role royal scene screenplay seems Sejanus Shake Shakespeare's plays Shakespearian Sonnets speak speare speare's speech stage directions suggests Sydney textual theatre theatrical thou tion Titus tour tragedy Troilus Troilus and Cressida William Shakespeare women words
Սիրված հատվածներ
Էջ 24 - Is man no more than this? Consider him well. Thou owest the worm no silk, the beast no hide, the sheep no wool, the cat no perfume.
Էջ 21 - A man may see how this world goes, with no eyes. Look with thine ears: see how yon' justice rails upon yon' simple thief. Hark, in thine ear: Change places; and, handydandy, which is the justice, which is the thief?