Shakespeare Performed: Essays in Honor of R.A. FoakesUniversity of Delaware Press, 2000 - 315 էջ Many of the contributors to this collection, including E. A. J. Honigmann, M. M. Mahood, Jonathan Bate, and Stanley Wells (among others), have been centrally involved in examining, promoting, and sometimes questioning the critical dominance of the stable Shakespeare text, particularly as a result of performance. The essays range from the traditional poetical and theater history inquiries through bibliographical examinations and hermeneutical interpretations. |
From inside the book
Արդյունքներ 70–ի 1-ից 5-ը:
Էջ 22
... character . Timon is the one who follows the way of the philosopher instead of the lover . He becomes a Diogenes , rejecting all worldliness , dying in his cave by the seashore . And so to King Lear itself . The three occurrences 22 ...
... character . Timon is the one who follows the way of the philosopher instead of the lover . He becomes a Diogenes , rejecting all worldliness , dying in his cave by the seashore . And so to King Lear itself . The three occurrences 22 ...
Էջ 24
... character better prepared to voice this sentiment . So the Stoic philosophy fails . One aspect of Poor Tom as philoso- pher is to offer an alternative , extreme position . The idea is similar to that in Timon : the truest philosopher is ...
... character better prepared to voice this sentiment . So the Stoic philosophy fails . One aspect of Poor Tom as philoso- pher is to offer an alternative , extreme position . The idea is similar to that in Timon : the truest philosopher is ...
Էջ 27
... characters of the Fool and Poor Tom . They force us to turn from the " Apology of Raymond Sebond " to another " counter - Renaissance " text . Socra- tes's saying that he is the wisest of men because he knows he is the most ignorant was ...
... characters of the Fool and Poor Tom . They force us to turn from the " Apology of Raymond Sebond " to another " counter - Renaissance " text . Socra- tes's saying that he is the wisest of men because he knows he is the most ignorant was ...
Էջ 30
... human being . The progression from command to questioning to entreaty is one of Shakespeare's most striking developments of the character of the King in the old Leir play . In King Lear 30 PART I : SHAKESPEARE PERFORMED IN HIS TIME.
... human being . The progression from command to questioning to entreaty is one of Shakespeare's most striking developments of the character of the King in the old Leir play . In King Lear 30 PART I : SHAKESPEARE PERFORMED IN HIS TIME.
Էջ 33
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Բովանդակություն
17 | |
Shakespeares Sense of Direction | 33 |
The Lord Chamberlains Mens Tour of 1597 | 56 |
No Quarrel but a slight Contention | 72 |
Julius Caesar and Sejanus | 88 |
Three Detachable Scenes | 108 |
Representing Falsehood | 122 |
The First Performances of Shakespeares Sonnets | 131 |
Aspects of King Lear in Performance | 198 |
Sleeves Gloves and Helens Placket | 216 |
Australian Shakespeare | 240 |
Cutting Women Down to Size in the Olivier and Loncraine Films of Richard III | 260 |
Film Editing | 273 |
Afterword | 299 |
306 | |
Notes on Contributors | 308 |
Writing about Shakespeares Plays in Performance | 151 |
Measure for Measure at the Old Vic in 195758 | 164 |
The Performance of Text in the Royal National Theatres 1997 Production of King Lear | 180 |
Common terms and phrases
action actors Andrew Gurr Angelo appear Arden argued audience Australian Ben Jonson Branagh's Cambridge University Press Cassius Chamberlain's character comedy conflated costume Cressida critics director door dramatic Duke Edgar edition editors Edmund effect Elizabethan English entrance entry essay exits Eyre Eyre's father Foakes Folio text Gloucester Hamlet Helen Henry Henry VI interpretation Isabella John Jonathan Bate Jonson Juliet Julius Caesar King Lear language Lear's lines Loncraine film London lord Lord Chamberlain's Men Macbeth Marlborough Measure for Measure modern Olivier Ophelia Oxford Pembroke performance Peter Peter Davison play's Players Poet political production Quarto and Folio Queen R. A. Foakes reading Reg Foakes Richard Richard III role royal scene screenplay seems Sejanus Shake Shakespeare's plays Shakespearian Sonnets speak speare speare's speech stage directions suggests Sydney textual theatre theatrical thou tion Titus tour tragedy Troilus Troilus and Cressida William Shakespeare women words
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Էջ 24 - Is man no more than this? Consider him well. Thou owest the worm no silk, the beast no hide, the sheep no wool, the cat no perfume.
Էջ 21 - A man may see how this world goes, with no eyes. Look with thine ears: see how yon' justice rails upon yon' simple thief. Hark, in thine ear: Change places; and, handydandy, which is the justice, which is the thief?