Shakespeare Performed: Essays in Honor of R.A. FoakesUniversity of Delaware Press, 2000 - 315 էջ Many of the contributors to this collection, including E. A. J. Honigmann, M. M. Mahood, Jonathan Bate, and Stanley Wells (among others), have been centrally involved in examining, promoting, and sometimes questioning the critical dominance of the stable Shakespeare text, particularly as a result of performance. The essays range from the traditional poetical and theater history inquiries through bibliographical examinations and hermeneutical interpretations. |
From inside the book
Արդյունքներ 81–ի 1-ից 5-ը:
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... Theatre , Text , and Interpretation Shakespeare's Foolosophy 17 JONATHAN BATE Shakespeare's Sense of Direction 33 M. M. MAHOOD Commerce and Patronage : The Lord Chamberlain's Men's Tour of 1597 56 PETER DAVISON Stage Directions for ...
... Theatre , Text , and Interpretation Shakespeare's Foolosophy 17 JONATHAN BATE Shakespeare's Sense of Direction 33 M. M. MAHOOD Commerce and Patronage : The Lord Chamberlain's Men's Tour of 1597 56 PETER DAVISON Stage Directions for ...
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... Theatre's 1997 Production of King Lear 180 GRACE IOPPOLO Possessing Edgar : Aspects of King Lear in Performance 198 MICHAEL HATTAWAY Designs on Shakespeare : Sleeves , Gloves , and Helen's Placket 216 CAROL CHILLINGTON RUTTER Australian ...
... Theatre's 1997 Production of King Lear 180 GRACE IOPPOLO Possessing Edgar : Aspects of King Lear in Performance 198 MICHAEL HATTAWAY Designs on Shakespeare : Sleeves , Gloves , and Helen's Placket 216 CAROL CHILLINGTON RUTTER Australian ...
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... theatre history , and performance criticism of how Shakespeare's plays were received by his audience in his own time and in our time have helped create and shape our modern no- tions and conceptions of Shakespeare and his texts ...
... theatre history , and performance criticism of how Shakespeare's plays were received by his audience in his own time and in our time have helped create and shape our modern no- tions and conceptions of Shakespeare and his texts ...
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... theatre his- tory inquiries of E. A. J. Honigmann , Peter Davison , and M. M. Ma- hood , through the bibliographical examinations of Ian Donaldson and Peter Wright and the critical interpretations of Jonathan Bate , Philip Edwards and ...
... theatre his- tory inquiries of E. A. J. Honigmann , Peter Davison , and M. M. Ma- hood , through the bibliographical examinations of Ian Donaldson and Peter Wright and the critical interpretations of Jonathan Bate , Philip Edwards and ...
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... Associated University Presses for advice on the manuscript ; and , above all , Jay Halio for his support and for his dedication to this volume . Shakespeare Performed I Shakespeare Performed in His Time : Theatre 11 Acknowledgments.
... Associated University Presses for advice on the manuscript ; and , above all , Jay Halio for his support and for his dedication to this volume . Shakespeare Performed I Shakespeare Performed in His Time : Theatre 11 Acknowledgments.
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17 | |
Shakespeares Sense of Direction | 33 |
The Lord Chamberlains Mens Tour of 1597 | 56 |
No Quarrel but a slight Contention | 72 |
Julius Caesar and Sejanus | 88 |
Three Detachable Scenes | 108 |
Representing Falsehood | 122 |
The First Performances of Shakespeares Sonnets | 131 |
Aspects of King Lear in Performance | 198 |
Sleeves Gloves and Helens Placket | 216 |
Australian Shakespeare | 240 |
Cutting Women Down to Size in the Olivier and Loncraine Films of Richard III | 260 |
Film Editing | 273 |
Afterword | 299 |
306 | |
Notes on Contributors | 308 |
Writing about Shakespeares Plays in Performance | 151 |
Measure for Measure at the Old Vic in 195758 | 164 |
The Performance of Text in the Royal National Theatres 1997 Production of King Lear | 180 |
Common terms and phrases
action actors Andrew Gurr Angelo appear Arden argued audience Australian Ben Jonson Branagh's Cambridge University Press Cassius Chamberlain's character comedy conflated costume Cressida critics director door dramatic Duke Edgar edition editors Edmund effect Elizabethan English entrance entry essay exits Eyre Eyre's father Foakes Folio text Gloucester Hamlet Helen Henry Henry VI interpretation Isabella John Jonathan Bate Jonson Juliet Julius Caesar King Lear language Lear's lines Loncraine film London lord Lord Chamberlain's Men Macbeth Marlborough Measure for Measure modern Olivier Ophelia Oxford Pembroke performance Peter Peter Davison play's Players Poet political production Quarto and Folio Queen R. A. Foakes reading Reg Foakes Richard Richard III role royal scene screenplay seems Sejanus Shake Shakespeare's plays Shakespearian Sonnets speak speare speare's speech stage directions suggests Sydney textual theatre theatrical thou tion Titus tour tragedy Troilus Troilus and Cressida William Shakespeare women words
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Էջ 24 - Is man no more than this? Consider him well. Thou owest the worm no silk, the beast no hide, the sheep no wool, the cat no perfume.
Էջ 21 - A man may see how this world goes, with no eyes. Look with thine ears: see how yon' justice rails upon yon' simple thief. Hark, in thine ear: Change places; and, handydandy, which is the justice, which is the thief?