Shakespeare Performed: Essays in Honor of R.A. FoakesUniversity of Delaware Press, 2000 - 315 էջ Many of the contributors to this collection, including E. A. J. Honigmann, M. M. Mahood, Jonathan Bate, and Stanley Wells (among others), have been centrally involved in examining, promoting, and sometimes questioning the critical dominance of the stable Shakespeare text, particularly as a result of performance. The essays range from the traditional poetical and theater history inquiries through bibliographical examinations and hermeneutical interpretations. |
From inside the book
Արդյունքներ 39–ի 1-ից 5-ը:
Էջ 5
... True Pay " : Representing Falsehood PHILIP EDWARDS 122 The First Performances of Shakespeare's Sonnets 131 E. A. J. HONIGMANN Part II : Shakespeare Performed in Our Time : Theatre , Film , Text , and Interpretation Writing About ...
... True Pay " : Representing Falsehood PHILIP EDWARDS 122 The First Performances of Shakespeare's Sonnets 131 E. A. J. HONIGMANN Part II : Shakespeare Performed in Our Time : Theatre , Film , Text , and Interpretation Writing About ...
Էջ 18
... true narration of things , there are three kinds : human , natural , and divine . The first concerns man ; the second , nature ; the third , the Father of nature . One depicts the acts of man while lead- ing his life in the midst of ...
... true narration of things , there are three kinds : human , natural , and divine . The first concerns man ; the second , nature ; the third , the Father of nature . One depicts the acts of man while lead- ing his life in the midst of ...
Էջ 20
... true wisdom . The word " phi- losopher " is used twice in As You Like It . Touchstone describes Corin as " a natural philosopher " ( 3.2.28 ) , in response to Corin's down - to- earth wisdom ( " the property of rain is to wet and fire ...
... true wisdom . The word " phi- losopher " is used twice in As You Like It . Touchstone describes Corin as " a natural philosopher " ( 3.2.28 ) , in response to Corin's down - to- earth wisdom ( " the property of rain is to wet and fire ...
Էջ 27
... true identity . In the play's opening scene we are invited to contrast the plain speakers with those who say one thing and think another : Cordelia and Kent are pitted against Goneril and Regan . The trag- edy of the court is that you ...
... true identity . In the play's opening scene we are invited to contrast the plain speakers with those who say one thing and think another : Cordelia and Kent are pitted against Goneril and Regan . The trag- edy of the court is that you ...
Էջ 29
... true manners not at court but through the love he shows for Poor Tom , the image of unaccom- modated man , the image of himself ( " Didst thou give all to thy daughters ? And art thou come to this this ? " — 3.4.48-49 ) . True wis- dom ...
... true manners not at court but through the love he shows for Poor Tom , the image of unaccom- modated man , the image of himself ( " Didst thou give all to thy daughters ? And art thou come to this this ? " — 3.4.48-49 ) . True wis- dom ...
Բովանդակություն
17 | |
Shakespeares Sense of Direction | 33 |
The Lord Chamberlains Mens Tour of 1597 | 56 |
No Quarrel but a slight Contention | 72 |
Julius Caesar and Sejanus | 88 |
Three Detachable Scenes | 108 |
Representing Falsehood | 122 |
The First Performances of Shakespeares Sonnets | 131 |
Aspects of King Lear in Performance | 198 |
Sleeves Gloves and Helens Placket | 216 |
Australian Shakespeare | 240 |
Cutting Women Down to Size in the Olivier and Loncraine Films of Richard III | 260 |
Film Editing | 273 |
Afterword | 299 |
306 | |
Notes on Contributors | 308 |
Writing about Shakespeares Plays in Performance | 151 |
Measure for Measure at the Old Vic in 195758 | 164 |
The Performance of Text in the Royal National Theatres 1997 Production of King Lear | 180 |
Common terms and phrases
action actors Andrew Gurr Angelo appear Arden argued audience Australian Ben Jonson Branagh's Cambridge University Press Cassius Chamberlain's character comedy conflated costume Cressida critics director door dramatic Duke Edgar edition editors Edmund effect Elizabethan English entrance entry essay exits Eyre Eyre's father Foakes Folio text Gloucester Hamlet Helen Henry Henry VI interpretation Isabella John Jonathan Bate Jonson Juliet Julius Caesar King Lear language Lear's lines Loncraine film London lord Lord Chamberlain's Men Macbeth Marlborough Measure for Measure modern Olivier Ophelia Oxford Pembroke performance Peter Peter Davison play's Players Poet political production Quarto and Folio Queen R. A. Foakes reading Reg Foakes Richard Richard III role royal scene screenplay seems Sejanus Shake Shakespeare's plays Shakespearian Sonnets speak speare speare's speech stage directions suggests Sydney textual theatre theatrical thou tion Titus tour tragedy Troilus Troilus and Cressida William Shakespeare women words
Սիրված հատվածներ
Էջ 24 - Is man no more than this? Consider him well. Thou owest the worm no silk, the beast no hide, the sheep no wool, the cat no perfume.
Էջ 21 - A man may see how this world goes, with no eyes. Look with thine ears: see how yon' justice rails upon yon' simple thief. Hark, in thine ear: Change places; and, handydandy, which is the justice, which is the thief?