The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 23
... find a true release of thought through them , for he is denying something of the nature of the thought . And whilst I respect enormously the desire to be truthful , if he holds back in this way he will not find the life - force which ...
... find a true release of thought through them , for he is denying something of the nature of the thought . And whilst I respect enormously the desire to be truthful , if he holds back in this way he will not find the life - force which ...
Стр. 183
... find you get a shared sense within the group , and you will be able to achieve it . You may find it helpful to begin with if you put your hand up when you want to speak . As you get better I think this becomes unnecessary . What you get ...
... find you get a shared sense within the group , and you will be able to achieve it . You may find it helpful to begin with if you put your hand up when you want to speak . As you get better I think this becomes unnecessary . What you get ...
Стр. 186
... find that physical voice that we all have , straight and uncompromising : and also ones , slightly absurd , which help us to release the joy in the language . They need not be done for long , but long enough and often enough to make the ...
... find that physical voice that we all have , straight and uncompromising : and also ones , slightly absurd , which help us to release the joy in the language . They need not be done for long , but long enough and often enough to make the ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing