The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 20
... finish we feel a sense of relief , but not only that , I think we feel physically different ; there is almost a chemical change , and we say we have ' got something off our chest ' . The point being that the words have been the ...
... finish we feel a sense of relief , but not only that , I think we feel physically different ; there is almost a chemical change , and we say we have ' got something off our chest ' . The point being that the words have been the ...
Стр. 78
... finish off a scene , or part of a scene or a soliloquy : and as such they have a quite specific function , for they carry us with a certain flourish into the next piece of action . They need care because they provide a formal ending to ...
... finish off a scene , or part of a scene or a soliloquy : and as such they have a quite specific function , for they carry us with a certain flourish into the next piece of action . They need care because they provide a formal ending to ...
Стр. 285
... finish with this poem of Auden , of which I am particularly fond : MUSÉE DES BEAUX ARTS About suffering they were never wrong , The Old Masters : how well they understood Its human position ; how it takes place While someone else is ...
... finish with this poem of Auden , of which I am particularly fond : MUSÉE DES BEAUX ARTS About suffering they were never wrong , The Old Masters : how well they understood Its human position ; how it takes place While someone else is ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing