The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 7
... first published in 1972 ; the extract from Soft Cops , first published in 1986 ; the extract from Part Two of ' The War Plays ' ( The Tin Can People ) , by Edward Bond , 1985 edition ; the extract from Sus , by Barrie Keeffe , 1979 ...
... first published in 1972 ; the extract from Soft Cops , first published in 1986 ; the extract from Part Two of ' The War Plays ' ( The Tin Can People ) , by Edward Bond , 1985 edition ; the extract from Sus , by Barrie Keeffe , 1979 ...
Стр. 60
... first is Romeo - it is smooth and gentle in sound . Notice the value of the vowels , their openness and length , and ... first line - it is the second half of a couplet , the first line of which ends the previous scene ; it therefore ...
... first is Romeo - it is smooth and gentle in sound . Notice the value of the vowels , their openness and length , and ... first line - it is the second half of a couplet , the first line of which ends the previous scene ; it therefore ...
Стр. 216
... First Soldier : Second Soldier : Hark ! First Soldier : Music i'th'air . Third Soldier : Under the earth . Fourth Soldier : It signs well , does it not ? Third Soldier : No. First Soldier : Peace , I say ! First Soldier : What should ...
... First Soldier : Second Soldier : Hark ! First Soldier : Music i'th'air . Third Soldier : Under the earth . Fourth Soldier : It signs well , does it not ? Third Soldier : No. First Soldier : Peace , I say ! First Soldier : What should ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing