The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
Результаты поиска по книге
Результаты 1 – 3 из 21
Стр. 81
... of the prose . So let us look rather more briefly at the other requirements , and then look at how they fit in to the structure of the whole . Chapter 4 STRUCTURES , ENERGY IMAGERY AND SOUND 1 ENERGY 81 METRE AND RHYTHM.
... of the prose . So let us look rather more briefly at the other requirements , and then look at how they fit in to the structure of the whole . Chapter 4 STRUCTURES , ENERGY IMAGERY AND SOUND 1 ENERGY 81 METRE AND RHYTHM.
Стр. 113
... fit with an image we would like for ourselves . What is perhaps more interesting is the fact that we very often ... fits exactly with Othello's logic , his own state within the order of things , and it is not a grammatical logic . The ...
... fit with an image we would like for ourselves . What is perhaps more interesting is the fact that we very often ... fits exactly with Othello's logic , his own state within the order of things , and it is not a grammatical logic . The ...
Стр. 162
... fit in with what you are doing . You can combine it with other exercises , and what is more , it is useful at any stage of work , particularly in rehearsal . Its purpose is simply to increase our awareness of the language choices - the ...
... fit in with what you are doing . You can combine it with other exercises , and what is more , it is useful at any stage of work , particularly in rehearsal . Its purpose is simply to increase our awareness of the language choices - the ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing