The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Cicely Berry. 808.2 6534ac 1987- To the memory of my husband Harry Moore First published in Great Britain 1987 by HARRAP Ltd 19-23 Ludgate Hill , London EC4M 7PD Copyright Cicely Berry 1987 All rights reserved No part of this publication ...
Cicely Berry. 808.2 6534ac 1987- To the memory of my husband Harry Moore First published in Great Britain 1987 by HARRAP Ltd 19-23 Ludgate Hill , London EC4M 7PD Copyright Cicely Berry 1987 All rights reserved No part of this publication ...
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Cicely Berry. the second stressed - i.e. , short - long , which we mark thus : e.g. , the word ' alike ' v- or the two words ' our scene ' A PENTAMETER consists of five strong beats , or feet , per line . So an IAMBIC PENTAMETER is one ...
Cicely Berry. the second stressed - i.e. , short - long , which we mark thus : e.g. , the word ' alike ' v- or the two words ' our scene ' A PENTAMETER consists of five strong beats , or feet , per line . So an IAMBIC PENTAMETER is one ...
Стр. 109
Cicely Berry. • Juliet , III.2 : ' Gallop apace . ' . Her excitement grows as she thinks of Romeo , so that in the middle her breathing becomes orgasmic , along with her imagery , for ' die ' was an Elizabethan euphemism for ' come ...
Cicely Berry. • Juliet , III.2 : ' Gallop apace . ' . Her excitement grows as she thinks of Romeo , so that in the middle her breathing becomes orgasmic , along with her imagery , for ' die ' was an Elizabethan euphemism for ' come ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing