The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 126
... Dream . Take this passage : Hermia : Lysander : Hermia : Lysander : Hermia : - - Lysander : How now , my love ? Why is your cheek so pale ? How chance the roses there do fade so fast ? Belike for want of rain , which I could well Beteem ...
... Dream . Take this passage : Hermia : Lysander : Hermia : Lysander : Hermia : - - Lysander : How now , my love ? Why is your cheek so pale ? How chance the roses there do fade so fast ? Belike for want of rain , which I could well Beteem ...
Стр. 162
... Dream . Opening scenes always yield a great deal on this exercise , and as we have already noted , we are taken into the vocabulary of the play . Theseus : Now , fair Hippolyta , our nuptial hour - Draws on apace . Four happy days bring ...
... Dream . Opening scenes always yield a great deal on this exercise , and as we have already noted , we are taken into the vocabulary of the play . Theseus : Now , fair Hippolyta , our nuptial hour - Draws on apace . Four happy days bring ...
Стр. 203
... dream . The scene ends with Bottom waking up alone and recounting his own dream . The echoes and associations in the text are particu- larly rich . Firstly , the exercise is excellent for concentration , for those who are repeating the ...
... dream . The scene ends with Bottom waking up alone and recounting his own dream . The echoes and associations in the text are particu- larly rich . Firstly , the exercise is excellent for concentration , for those who are repeating the ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing