The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 70
... Macbeth , the split lines make it very exciting . Beat it through lightly to see how it works : ' When ' comes so ... Macbeth : I have done the deed . Didst thou not hear a noise ? Lady Macbeth : I heard the owl - scream and the ...
... Macbeth , the split lines make it very exciting . Beat it through lightly to see how it works : ' When ' comes so ... Macbeth : I have done the deed . Didst thou not hear a noise ? Lady Macbeth : I heard the owl - scream and the ...
Стр. 86
... Macbeth : If it were done when ' tis done , then ' twere well It were done quickly . If the assassination Could trammel up the consequence , and catch With his surcease success that but this blow Might be the be - all and the end - all ...
... Macbeth : If it were done when ' tis done , then ' twere well It were done quickly . If the assassination Could trammel up the consequence , and catch With his surcease success that but this blow Might be the be - all and the end - all ...
Стр. 134
... Macbeth , in the scene following the soliloquy we have just looked at . Her drive in the scene has to be to reinfuse Macbeth with courage and purpose . Each speech in the scene is part of that overall drive , yet look at the shape of ...
... Macbeth , in the scene following the soliloquy we have just looked at . Her drive in the scene has to be to reinfuse Macbeth with courage and purpose . Each speech in the scene is part of that overall drive , yet look at the shape of ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing