The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 76
... Richard II , where there are hints of it through the play , heightening the formality of the content . As here , in ... Richard my life's counsel would not hear , My death's sad tale may yet undeaf his ear . Richard II , I. 4 . It is ...
... Richard II , where there are hints of it through the play , heightening the formality of the content . As here , in ... Richard my life's counsel would not hear , My death's sad tale may yet undeaf his ear . Richard II , I. 4 . It is ...
Стр. 175
... Richard II : Bolingbroke : ' Go to the rude ribs of that ancient castle ' ; Richard II : ' What must the king do now , must he submit ? ' and one of the Gardener's speeches . The balances here are very different - Bolingbroke's speech ...
... Richard II : Bolingbroke : ' Go to the rude ribs of that ancient castle ' ; Richard II : ' What must the king do now , must he submit ? ' and one of the Gardener's speeches . The balances here are very different - Bolingbroke's speech ...
Стр. 225
... ( ii ) Read for yourselves the last beat of Act II , Scene 1 in Richard II between Willoughby , Ross and Northumberland . It comes at the end of the big scene between Gaunt and Richard , when the Gaunt makes his dying plea for good ...
... ( ii ) Read for yourselves the last beat of Act II , Scene 1 in Richard II between Willoughby , Ross and Northumberland . It comes at the end of the big scene between Gaunt and Richard , when the Gaunt makes his dying plea for good ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing