The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 72
... Romeo and Mercutio : Romeo : And we mean well in going to this masque , But ' tis no wit to go . Mercutio : Romeo : I dreamt a dream tonight Mercutio : Why , may one ask ? And so did I. That dreamers often lie . Romeo : Well , what was ...
... Romeo and Mercutio : Romeo : And we mean well in going to this masque , But ' tis no wit to go . Mercutio : Romeo : I dreamt a dream tonight Mercutio : Why , may one ask ? And so did I. That dreamers often lie . Romeo : Well , what was ...
Стр. 77
... Romeo : Juliet : Romeo : Juliet : Romeo : Juliet : Romeo : Juliet : Romeo : Juliet : Nurse : If I profane with my unworthiest hand This holy shrine , the gentle sin is this . My lips , two blushing pilgrims , ready stand To smooth that ...
... Romeo : Juliet : Romeo : Juliet : Romeo : Juliet : Romeo : Juliet : Romeo : Juliet : Nurse : If I profane with my unworthiest hand This holy shrine , the gentle sin is this . My lips , two blushing pilgrims , ready stand To smooth that ...
Стр. 79
... Romeo and Juliet there is a split rhyming couplet between the end of one scene and the beginning of another . Although the two scenes follow obviously consecutively and fast , there is a humour in the way the couplet works to end one ...
... Romeo and Juliet there is a split rhyming couplet between the end of one scene and the beginning of another . Although the two scenes follow obviously consecutively and fast , there is a humour in the way the couplet works to end one ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing