The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 64
... Rosalind breaks the intensely romantic sequence by speaking in prose on : ' Why do you speak too " Why blame you me ... Rosalind . Rosalind : And I for no woman . Silvius : Phebe : It is to be all made of faith and service , And so am I ...
... Rosalind breaks the intensely romantic sequence by speaking in prose on : ' Why do you speak too " Why blame you me ... Rosalind . Rosalind : And I for no woman . Silvius : Phebe : It is to be all made of faith and service , And so am I ...
Стр. 65
... Rosalind is already breaking with the metre there anyway . However , the consciousness of the possibility of stress is there in both cases , and it has to be given room . The same applies to the two names ' Ganymede ' and ' Rosalind ...
... Rosalind is already breaking with the metre there anyway . However , the consciousness of the possibility of stress is there in both cases , and it has to be given room . The same applies to the two names ' Ganymede ' and ' Rosalind ...
Стр. 222
... Rosalind and Orlando ( Act IV , Scene 1 ) , the premise is set up in the first words between them : Rosalind : ... Why , how now , Orlando , where have you been all this while ? You a lover ! And you serve me such another trick , never ...
... Rosalind and Orlando ( Act IV , Scene 1 ) , the premise is set up in the first words between them : Rosalind : ... Why , how now , Orlando , where have you been all this while ? You a lover ! And you serve me such another trick , never ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing