The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 10
... Shakespeare , and vice versa . We are always lucky when we have an opportunity to work on both , for it is the interchange between modern and classical writing that enriches both and makes each more alive . Work on Shakespeare opens our ...
... Shakespeare , and vice versa . We are always lucky when we have an opportunity to work on both , for it is the interchange between modern and classical writing that enriches both and makes each more alive . Work on Shakespeare opens our ...
Стр. 115
... Shakespeare , I think one of two things tends to happen : 1 Because we know it is big , the characters have size and ... Shakespeare's Use of Rhetoric ' . Brian Vickers ; ' Shakespeare and the Thoughts of his Age ' . W.R.Elton . From A ...
... Shakespeare , I think one of two things tends to happen : 1 Because we know it is big , the characters have size and ... Shakespeare's Use of Rhetoric ' . Brian Vickers ; ' Shakespeare and the Thoughts of his Age ' . W.R.Elton . From A ...
Стр. 251
... Shakespeare text as a touchstone : once you have become at ease with that language , other text falls into place . The jaggedness of Jacobean writing is more jagged because of our experi- ence of the equilibrium of Shakespeare and ...
... Shakespeare text as a touchstone : once you have become at ease with that language , other text falls into place . The jaggedness of Jacobean writing is more jagged because of our experi- ence of the equilibrium of Shakespeare and ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing