The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 80
... Troilus : Amen . Cressida : Amen . Pandarus : Amen . Whereupon I will show you a chamber with a bed , which bed , because it shall not speak of your pretty encounters , press it to death ; away ! [ Exeunt Troilus and Cressida . And ...
... Troilus : Amen . Cressida : Amen . Pandarus : Amen . Whereupon I will show you a chamber with a bed , which bed , because it shall not speak of your pretty encounters , press it to death ; away ! [ Exeunt Troilus and Cressida . And ...
Стр. 93
... Troilus and Cressida is interesting . The speeches occur near the end of their first meeting — the meeting that Pandarus has arranged and the images accumulate . However , you will notice : - That Troilus swears by truth , and Cressida ...
... Troilus and Cressida is interesting . The speeches occur near the end of their first meeting — the meeting that Pandarus has arranged and the images accumulate . However , you will notice : - That Troilus swears by truth , and Cressida ...
Стр. 153
... Troilus and Cressida speeches , when you sing them round you will notice : How different the two sound : Troilus is much more affirmative in sound than Cressida , even though the phrases are cut up in similar ways . It is quite ...
... Troilus and Cressida speeches , when you sing them round you will notice : How different the two sound : Troilus is much more affirmative in sound than Cressida , even though the phrases are cut up in similar ways . It is quite ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing