The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 23
... allowing himself to discover the thought in action through the words as they are spoken . This is often an unreasonable ... allow them to be . This feeling that we need to present and be interesting , even at early stages of rehearsal ...
... allowing himself to discover the thought in action through the words as they are spoken . This is often an unreasonable ... allow them to be . This feeling that we need to present and be interesting , even at early stages of rehearsal ...
Стр. 141
... allowing just that to happen . In other words they are to do with acting . And this sense of sitting back on the ... allow time for slow readers . ( ii ) Or they can be done on a text that you choose to work on over a period of time ...
... allowing just that to happen . In other words they are to do with acting . And this sense of sitting back on the ... allow time for slow readers . ( ii ) Or they can be done on a text that you choose to work on over a period of time ...
Стр. 173
... allowing a poise before ' the herd ' , giving it a lightness . The lightness carries through to this line , which is ... Allow the variable lengths of the words to affect the speaking . What I want you to feel is something quite subtle ...
... allowing a poise before ' the herd ' , giving it a lightness . The lightness carries through to this line , which is ... Allow the variable lengths of the words to affect the speaking . What I want you to feel is something quite subtle ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing