The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
Результаты поиска по книге
Результаты 1 – 3 из 24
Стр. 90
... antithesis . Briefly , it means the contrasting of two ideas by using words of opposite meaning in consecutive ... antithetical words , and they have to be looked for . So again , not by emphasis but by awareness , the actor has to be in ...
... antithesis . Briefly , it means the contrasting of two ideas by using words of opposite meaning in consecutive ... antithetical words , and they have to be looked for . So again , not by emphasis but by awareness , the actor has to be in ...
Стр. 91
... antithesis . Later in the play , Act II , Scene 3 , the Friar presents his philosophy in terms of the balance of nature . This is a useful speech to look at , for it makes you see how the antithetical thought is informing everything ...
... antithesis . Later in the play , Act II , Scene 3 , the Friar presents his philosophy in terms of the balance of nature . This is a useful speech to look at , for it makes you see how the antithetical thought is informing everything ...
Стр. 95
... antithesis begun by another . The second passage shows how the building of an antithesis over a number of lines can make the reverse side stronger and more poignant when we get to it . So , as actors , we have to be ready for the ...
... antithesis begun by another . The second passage shows how the building of an antithesis over a number of lines can make the reverse side stronger and more poignant when we get to it . So , as actors , we have to be ready for the ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing