The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 26
... breath and the thought as one . We need to be able to encompass one thought with one breath . In everyday life we do not run out of breath in the middle of an idea - or seldom - so , even though the lengths of thought in a text are ...
... breath and the thought as one . We need to be able to encompass one thought with one breath . In everyday life we do not run out of breath in the middle of an idea - or seldom - so , even though the lengths of thought in a text are ...
Стр. 27
... breath , and Othello reaching for that thought : his feelings are released , and that release happens by means of the breath . The inevitability of the thought , and the small phrases rocking within it , allow us into the movement and ...
... breath , and Othello reaching for that thought : his feelings are released , and that release happens by means of the breath . The inevitability of the thought , and the small phrases rocking within it , allow us into the movement and ...
Стр. 280
Cicely Berry. Breathing : stomach . People have obviously been taught different ways of breathing - perhaps to keep the ... breath too conscious . I think the deeper we can take the breath into the stomach the better , so we release the ...
Cicely Berry. Breathing : stomach . People have obviously been taught different ways of breathing - perhaps to keep the ... breath too conscious . I think the deeper we can take the breath into the stomach the better , so we release the ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing