The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 25
... communicate . Also , some people have a kind of tension in their personality , which is a quality that perhaps is necessary to their work . Too much relaxation can be dulling . What is important is to find where our energy lies , and ...
... communicate . Also , some people have a kind of tension in their personality , which is a quality that perhaps is necessary to their work . Too much relaxation can be dulling . What is important is to find where our energy lies , and ...
Стр. 188
... communicate , and perhaps the loneliness of solitary thoughts . ( viii ) Again only one person to speak the text , but the rest of the group to heckle him . You can either heckle through the precise words of the text , or by reacting in ...
... communicate , and perhaps the loneliness of solitary thoughts . ( viii ) Again only one person to speak the text , but the rest of the group to heckle him . You can either heckle through the precise words of the text , or by reacting in ...
Стр. 204
... is appropriate . Hopefully they will all help to integrate the finding of one's inner truth with the need to communicate that to an audience . Chapter 9 FURTHER POINTS OF TEXT 1 PROSE Shakespeare's prose 204 THE ACTOR AND HIS TEXT.
... is appropriate . Hopefully they will all help to integrate the finding of one's inner truth with the need to communicate that to an audience . Chapter 9 FURTHER POINTS OF TEXT 1 PROSE Shakespeare's prose 204 THE ACTOR AND HIS TEXT.
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing