The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 29
... consonants take to speak varies according to whether they are unvoiced or voiced , plosive or con- tinuant , and how many there are . For example , the end consonants take less time in the words ' vexed ' , ' hardokes ' , ' rank ...
... consonants take to speak varies according to whether they are unvoiced or voiced , plosive or con- tinuant , and how many there are . For example , the end consonants take less time in the words ' vexed ' , ' hardokes ' , ' rank ...
Стр. 56
... consonants are sharp and clean . This line rocks , partly because of the four - syllabled ' mis- adventured ' , which is regular in stress but filled with a quantity of hard consonants separating the short vowels ; and partly because of ...
... consonants are sharp and clean . This line rocks , partly because of the four - syllabled ' mis- adventured ' , which is regular in stress but filled with a quantity of hard consonants separating the short vowels ; and partly because of ...
Стр. 152
... consonants and whether devoiced or voiced . ― The consonants I suppose indicate to us the mood of the character : for instance , a passage with a predominance of un- voiced continuants ' s ' , ' sh ' - immediately feels conspiratorial ...
... consonants and whether devoiced or voiced . ― The consonants I suppose indicate to us the mood of the character : for instance , a passage with a predominance of un- voiced continuants ' s ' , ' sh ' - immediately feels conspiratorial ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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