The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 140
... course , but I always have a sneaking suspicion that I cannot then be discovering anything quite new . Probably this is vain , in more senses than one . But it is quite difficult writing down ' the ' exercise . That is why it is ...
... course , but I always have a sneaking suspicion that I cannot then be discovering anything quite new . Probably this is vain , in more senses than one . But it is quite difficult writing down ' the ' exercise . That is why it is ...
Стр. 178
... course there are times when the metre asks to be used more directly , when a liturgical rhythm needs to dominate . We just have to be open to all the changes , and realize that there are no rules , only structures which have to be ...
... course there are times when the metre asks to be used more directly , when a liturgical rhythm needs to dominate . We just have to be open to all the changes , and realize that there are no rules , only structures which have to be ...
Стр. 200
... course all the group exercises I have given so far can be used as preparation for rehearsal , and I think they speed the rehearsal process . Most of them can be adapted to the needs of specific scenes , and I think I have indicated how ...
... course all the group exercises I have given so far can be used as preparation for rehearsal , and I think they speed the rehearsal process . Most of them can be adapted to the needs of specific scenes , and I think I have indicated how ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing