The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 34
... dialogue is rooted in everyday speech patterns , and where imagery is more incidental than essential . Now this of course is very loose , and is immediately open to contradiction . For poetic writing is often naturalistic in sound ...
... dialogue is rooted in everyday speech patterns , and where imagery is more incidental than essential . Now this of course is very loose , and is immediately open to contradiction . For poetic writing is often naturalistic in sound ...
Стр. 181
... dialogue within the speech , so do the third part of the sequence : kick or move on the last word of the whole thought i.e. , on the semi - colons , full - stops and question marks , or speak it in two groups , so you get a sense of the ...
... dialogue within the speech , so do the third part of the sequence : kick or move on the last word of the whole thought i.e. , on the semi - colons , full - stops and question marks , or speak it in two groups , so you get a sense of the ...
Стр. 255
... dialogue ; speaking your own thoughts and then the dialogue . This last is particularly useful as so often the dialogue is only the top layer of the thought . The language often does not flow , and the moments in between speech are as ...
... dialogue ; speaking your own thoughts and then the dialogue . This last is particularly useful as so often the dialogue is only the top layer of the thought . The language often does not flow , and the moments in between speech are as ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing