The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 30
... difficult to catch , and so the language will become less active . When working in a large space it takes longer for the consonant vibrations to reach out . The answer is never to push them out explosively , for that makes the speech ...
... difficult to catch , and so the language will become less active . When working in a large space it takes longer for the consonant vibrations to reach out . The answer is never to push them out explosively , for that makes the speech ...
Стр. 111
... difficult play , and not all had read Shakespeare before . And , during the first two scenes , I asked those who were not reading to repeat all the words that were to do with the two kingdoms , Sicilia and Bohemia , and their courts ...
... difficult play , and not all had read Shakespeare before . And , during the first two scenes , I asked those who were not reading to repeat all the words that were to do with the two kingdoms , Sicilia and Bohemia , and their courts ...
Стр. 261
... difficult . The fact that it is under the circle deadens the sound , and because it is not so easy to see , people ... difficulty in hearing round the sides . ( ii ) How to adapt : Now to reach out to a large space you often need a ...
... difficult . The fact that it is under the circle deadens the sound , and because it is not so easy to see , people ... difficulty in hearing round the sides . ( ii ) How to adapt : Now to reach out to a large space you often need a ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing